Monday, September 3, 2012

Kilt Monday!

Because let's face it, Mondays are hard rough difficult.


Don't Let Me Be Lonely [There was a time]

  by Claudia Rankine

There was a time I could say no one I knew well had died. This is not to suggest no one died. When I was eight my mother became pregnant. She went to the hospital to give birth and returned without the baby. Where's the baby? we asked. Did she shrug? She was the kind of woman who liked to shrug; deep within her was an everlasting shrug. That didn't seem like a death. The years went by and people only died on television—if they weren't Black, they were wearing black or were terminally ill. Then I returned home from school one day and saw my father sitting on the steps of our home. He had a look that was unfamiliar; it was flooded, so leaking. I climbed the steps as far away from him as I could get. He was breaking or broken. Or, to be more precise, he looked to me like someone understanding his aloneness. Loneliness. His mother was dead. I'd never met her. It meant a trip back home for him. When he returned he spoke neither about the airplane nor the funeral.

Every movie I saw while in the third grade compelled me to ask, Is he dead? Is she dead? Because the characters often live against all odds it is the actors whose mortality concerned me. If it were an old, black-and-white film, whoever was around would answer yes. Months later the actor would show up on some latenight talk show to promote his latest efforts. I would turn and say—one always turns to say—You said he was dead. And the misinformed would claim, I never said he was dead. Yes, you did. No, I didn't. Inevitably we get older; whoever is still with us says, Stop asking me that.

Or one begins asking oneself that same question differently. Am I dead? Though this question at no time explicitly translates into Should I be dead, eventually the suicide hotline is called. You are, as usual, watching television, the eight-o'clock movie, when a number flashes on the screen: I-800-SUICIDE. You dial the number. Do you feel like killing yourself? the man on the other end of the receiver asks. You tell him, I feel like I am already dead. When he makes no response you add, I am in death's position. He finally says, Don't believe what you are thinking and feeling. Then he asks, Where do you live?

Fifteen minutes later the doorbell rings. You explain to the ambulance attendant that you had a momentary lapse of happily. The noun, happiness, is a static state of some Platonic ideal you know better than to pursue. Your modifying process had happily or unhappily experienced a momentary pause. This kind of thing happens, perhaps is still happening. He shrugs and in turn explains that you need to come quietly or he will have to restrain you. If he is forced to restrain you, he will have to report that he is forced to restrain you. It is this simple: Resistance will only make matters more difficult. Any resistance will only make matters worse. By law, I will have to restrain you. His tone suggests that you should try to understand the difficulty in which he finds himself. This is further disorienting. I am fine! Can't you see that! You climb into the ambulance unassisted.


from: Don’t Let Me Be Lonely. Copyright 2004. 


BOOK REVIEWS. Sort Of.


The Way Through the Woods - Colin Dexter  

The case remained unsolved for a year until Inspector Morse took over. 

He headed in a different direction than all the rest and managed to bring it all to a satisfactory if surprising conclusion.

Morse makes his share of mistakes, but he always figures it out in the end.


Sunday, September 2, 2012

Arthur's Anthology of English Poetry

  by Laurence Lerner

computer generated bees and flowers in shades of blues and oranges
To be or not to be, that is the question
To justify the ways of God to men
There was a time when meadow grove and stream
The dropping of the daylight in the west
Otters below and moorhens on the top
Had fallen in Lyonesse about their Lord.

There was a time when moorhens on the top
To justify the daylight in the west,
To be or not to be about their Lord
Had fallen in Lyonesse from God to men;
Otters below and meadow grove and stream,
The dropping of the day, that is the question.

A time when Lyonesse and grove and stream
To be the daylight in the west on top 
When meadow otters fallen about their Lord
To justify the moorhens is the question
Or not to be the dropping God to men
There was below the ways that is a time.

To be in Lyonesse, that is the question
To justify the otters, is the question
The dropping of the meadows, is the question

I do not know the answer to the question

There was a time when moorhens in the west
There was a time when daylight on the top
There was a time when God was not a question

There was a time when poets

                         Then I came 

from: A.R.T.H.U.R.: The Life and Opinions of a Digital Computer. Copyright 1974. 
Fractal Art by Liuanta.

BOOK REVIEWS. Sort Of.


The I Chong - Tommy Chong  

Nope. Not a typo.

It's a brief, stonery, Buddhistery memoir, written by Tommy Chong of "Cheech & Chong."

If I understand correctly, although water pipes can and are used to smoke tobacco and are legal, if it has Tommy's picture on it that makes it drug paraphernalia, and therefore illegal.


Saturday, September 1, 2012

Quote of the Day


A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time, proof that humans can work magic.

― Carl Sagan