Friday, August 16, 2013

Save America With Poetry! Day Eighteen.



Sometimes a little sacrifice is necessary
 to forestall a greater one.

In my experience -

too often used as a justification by those who have
 to justify taking from those who don't.





Traveling through the Dark 
- William E. Stafford

Traveling through the dark I found a deer
dead on the edge of the Wilson River road.
It is usually best to roll them into the canyon:
that road is narrow; to swerve might make more dead.

By glow of the tail-light I stumbled back of the car   
and stood by the heap, a doe, a recent killing;   
she had stiffened already, almost cold.
I dragged her off; she was large in the belly.

My fingers touching her side brought me the reason—
her side was warm; her fawn lay there waiting,   
alive, still, never to be born.
Beside that mountain road I hesitated.

The car aimed ahead its lowered parking lights;   
under the hood purred the steady engine.
I stood in the glare of the warm exhaust turning red;   
around our group I could hear the wilderness listen.

I thought hard for us all—my only swerving—,   
then pushed her over the edge into the river.


from: The Way It Is: New and Selected Poems, Copyright 1998.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Thursday, August 15, 2013

Save America With Poetry! Day Seventeen.





Voices echo down through the ages
connecting us to all those who have gone before -
if only we listen.




I don't have this one,
and I could not find the text online anywhere,
but I did find a link to Tony Hoagland, himself, reading:

                      Song of Speaks-Fluently
                                                                             by Speaks-Fluently      

Just click on the poem's title and be magically whisked to the site.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Wednesday, August 14, 2013

Save America With Poetry! Day Sixteen.



Are artificial geraniums any more of a disappointment
 than a semi-clean cafe?

Isn't it okay sometimes
 to enjoy things that are less than perfection?



The Geraniums
- Genevieve Taggard

Even if the geraniums are artificial
Just the same,
In the rear of the Italian cafe
Under the nimbus of electric light
They are red; no less red
For how they were made. Above
The mirror and the napkins
In the little white pots ...
... In the semi-clean cafe
Where they have good
Lasagne ... The red is a wonderful joy
Really, and so are the people
Who like and ignore it. In this place
They also have good bread.

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Tuesday, August 13, 2013

Save America With Poetry! Day Fifteen.



It is classic American,
 speech, thoughts, worries, vision -
 via Jamaica and Russia.

So what does it really mean?


American Classic
- Louis Simpson

It's a classic American scene--
a car stopped off the road
and a man trying to repair it.

The woman who stays in the car
in the classic American scene
stares back at the freeway traffic.

They looked suprised, and ashamed
to be so helpless. . .
let down in the middle of the road!

To think their car would do this!
They look like mountain people
whoes son has gone against the law.

But every night they set out food
and the robber goes skulking back to the trees.
That's how it is with the car. . .

it's theirs, they're stuck with it.
Now they know what it's like to sit
and see the world go whizzing by.

In the fume of carbon monoxide and dust
they are not such good Americans
as they thought they were.

The feeling of being left out
through no falt of your own, is common.
That's why I say, an American classic.

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Monday, August 12, 2013

Kilt Monday!

'Cause let's face it,
Mondays can be so .   .  .  rough, hard, difficult.

Happy Number Seven, Sweety Pie!


Save America With Poetry! Day Fourteen.




This is the story, not of a hero ending in tragedy,
 but rather the struggle of the one left behind
 and what s/he endures as s/he awaits his return.

So many wait in silence, grieve in silence,
 and alone.

Does knowing the truth make a difference?


Waiting for Icarus
He said he would be back and we'd drink wine together
He said that everything would be better than before
He said we were on the edge of a new relation
He said he would never again cringe before his father
He said that he was going to invent full-time
He said he loved me that going into me
He said was going into the world and the sky
He said all the buckles were very firm
He said the wax was the best wax
He said Wait for me here on the beach
He said Just don't cry

I remember the gulls and the waves
I remember the islands going dark on the sea
I remember the girls laughing
I remember they said he only wanted to get away from me
I remember mother saying: Inventors are like poets, a trashy lot
I remember she told me those who try out inventions are worse
I remember she added: Women who love such are the worst of all
I have been waiting all day, or perhaps longer.
I would have liked to try those wings myself.
It would have been better than this.

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Sunday, August 11, 2013

Save America With Poetry! Day Thirteen.


Language has power to shape the world's realities.

What is truth? Can we create our own? Or just the perception of truth?

Or does it really matter?

"What are you going to believe: what you are told, or your lying eyes?"


Ballad of Orange and Grape
- Muriel Rukeyser

After you finish your work
after you do your day
after you've read your reading
after you've written your say —
you go down the street to the hot dog stand,
one block down and across the way.
On a blistering afternoon in East Harlem in the twentieth century.

Most of the windows are boarded up,
the rats run out of a sack —
sticking out of the crummy garage
one shiny long Cadillac;
at the glass door of the drug-addiction center,
a man who'd like to break your back.
But here's a brown woman with a little girl dressed in rose and pink, too.

Frankfurters, frankfurters sizzle on the steel
where the hot-dog-man leans —
nothing else on the counter
but the usual two machines,
the grape one, empty, and the orange one, empty,
I face him in between.
A black boy comes along, looks at the hot dogs, goes on walking.

I watch the man as he stands and pours
in the familiar shape
bright purple in the one marked ORANGE
orange in the one marked GRAPE,
the grape drink in the machine marked ORANGE
and orange drink in the GRAPE.
Just the one word large and clear, unmistakable, on each machine.

I ask him: How can we go on reading
and make sense out of what we read? —
How can they write and believe what they're writing,
the young ones across the street,
while you go on pouring grape into ORANGE
and orange into the one marked GRAPE —?
(How are we going to believe what we read and what we write and we hear and we say and we do?)

He looks at the two machines and he smiles
and he shrugs and smiles and pours again.
It could be violence and nonviolence
it could be white and black      women and men
it could be war and peace or any
binary system, love and hate, enemy, friend.
Yes and no, be and not-be, what we do and what we don't do.

On a corner in East Harlem
garbage, reading, a deep smile, rape,
forgetfulness, a hot street of murder,
misery, withered hope,
a man keeps pouring grape into ORANGE
and orange into the one marked GRAPE,
pouring orange into GRAPE and grape into ORANGE forever.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright