Wednesday, February 13, 2013

Tuesday, February 12, 2013

AMEN!


So let’s set party interests aside, and work to pass a budget that replaces reckless cuts with smart savings and wise investments in our future. And let’s do it without the brinksmanship that stresses consumers and scares off investors.

The greatest nation on Earth cannot keep conducting its business by drifting from one manufactured crisis to the next.

Let’s agree, right here, right now, to keep the people’s government open, pay our bills on time, and always uphold the full faith and credit of the United States of America.

The American people have worked too hard, for too long, rebuilding from one crisis to see their elected officials cause another.

- President Obama,
from: The State of the Union Address, 2/12/13.


The Idea of Ancestry

drawing of the silhouette of a man in front of a tree with many branches
- Etheridge Knight  

1
Taped to the wall of my cell are 47 pictures: 47 black
faces: my father, mother, grandmothers (1 dead), grand-
fathers (both dead), brothers, sisters, uncles, aunts,
cousins (1st and 2nd), nieces, and nephews. They stare
across the space at me sprawling on my bunk. I know
their dark eyes, they know mine. I know their style,
they know mine. I am all of them, they are all of me;
they are farmers, I am a thief, I am me, they are thee.

I have at one time or another been in love with my mother,
1 grandmother, 2 sisters, 2 aunts (1 went to the asylum),
and 5 cousins. I am now in love with a 7-yr-old niece
(she sends me letters in large block print, and
her picture is the only one that smiles at me).

I have the same name as 1 grandfather, 3 cousins, 3 nephews,
and 1 uncle. The uncle disappeared when he was 15, just took
off and caught a freight (they say). He's discussed each year
when the family has a reunion, he causes uneasiness in
the clan, he is an empty space. My father's mother, who is 93
and who keeps the Family Bible with everbody's birth dates
(and death dates) in it, always mentions him. There is no
place in her Bible for "whereabouts unknown."
 
2

Each fall the graves of my grandfathers call me, the brown
hills and red gullies of mississippi send out their electric
messages, galvanizing my genes. Last yr / like a salmon quitting
the cold ocean-leaping and bucking up his birth stream / I
hitchhiked my way from LA with 16 caps in my pocket and a
monkey on my back. And I almost kicked it with the kinfolks.
I walked barefooted in my grandmother's backyard / I smelled the old
land and the woods / I sipped cornwhiskey from fruit jars with the men /
I flirted with the women / I had a ball till the caps ran out
and my habit came down. That night I looked at my grandmother
and split / my guts were screaming for junk / but I was almost
contented / I had almost caught up with me.
(The next day in Memphis I cracked a croaker's crib for a fix.)

This yr there is a gray stone wall damming my stream, and when
the falling leaves stir my genes, I pace my cell or flop on my bunk
and stare at 47 black faces across the space. I am all of them,
they are all of me, I am me, they are thee, and I have no children
to float in the space between.


from: The Essential Etheridge Knight. Copyright 1986.
Photo source.

Monday, February 11, 2013

Kilt Monday!

Because let's face it, Mondays are hard rough difficult. 


BOOK REVIEWS. Sort Of.

The Book of American Negro Poetry - James Weldon Johnson  

The poets in this book span the time between the two World Wars and the era known as the Harlem Renaissance. If you don't like rhyming poetry, then you might not enjoy this book.

I, however, found that race hatred and its fruits, wrapped up in majestic verse, creates a terrible beauty that refuses to be ignored. Fear, anger, sorrow, hope, and pride all mingle in these worthwhile pages, and I came away educated and humbled.

Dunbar
- Anne Spencer  

AH, how poets sing and die!
Make one song and Heaven takes it;
Have one heart and Beauty breaks it;
Chatterton, Shelley, Keats and I—
Ah, how poets sing and die!

The Moon is Always Female - Marge Piercy  

All of the poems are personal, connecting the speaker with her life, her world, and her self. And many of them brought up my own memories and feelings.

Some poetry I read and find that I like it. Other poetry Crawls inside of me and makes camp. Many of the poems in this book are in the latter category. 

You've probably figured out by now that I love this book.

My Mother's Novel

Married academic woman ten
years younger holding that microphone
like a bazooka, forgive
me that I do some number of things
that you fantasize but frame
impossible. Understand:
I am my mother's daughter,
a small woman of large longings.

Energy hurled through her
confined and fierce as in a wind
tunnel. Born to a mean
harried poverty crosshatched
by spidery fears and fitfully
lit by the explosions
of politics, she married her way
at length into the solid working class:
a box of house, a car she could
not drive, a TV set kept turned 
to the blare of football,
terrifying power tools, used wall
to wallcarpeting protected
by scatter rugs.

Out of backyard posies
permitted to fringe
the proud hankey lawn
her imagination hummed
and made honey,
occasionally exploding
in mad queen swarms.

I am her only novel.
The plot is melodramatic,
hot lovers leap out of
thickets it makes you cry
a lot, in between the revolutionary
heroics and making good
home-cooked soup.
Understand: I am my mother's
novel daughter: I
Have my duty to perform.

The Trouble With Poetry - Billy Collins    

Billy Collins makes me smile; sometimes he makes me think; but always he leaves me glad I read his poetry.

In keeping with his wry sense of humor, he begins this particular book with a thought about those of us who didn't write the book.
I wonder how you are going to feel 
when you find out 
that I wrote this instead of you,
My absolute favorite piece reminds me of the poetry writing class I took in college. Allusion was the big thing, and although my peers wrote some beautiful poetry, some was so thick with allusion that  I felt I needed a pick and shovel just to read it. And reading poetry became a chore rather than the pleasure it has always been for me. Do you think Billy has ever had that thought?
The Introduction

I don’t think this next poem
needs any introduction-
it’s best to let the work speak for itself.

Maybe I should just mention
that whenever I use the word five,
I’m referring to that group of Russian composers
who came to be known as “The Five,”
Balakirev, Moussorgsky, Borodin – that crowd.

Oh-and Hypsicles was a Greek astronomer.
He did something with the circle.

That’s about it, but for the record,
“Grimké” is Angelina Emily Grimké, the abolitionist.
“Imroz” is that little island near the Dardanelles.
‘Monad”-well, you all know what a monad is.

There could be a little problem
with mastaba, which is one of those Egyptian
above-ground sepulchers, sort of brick and limestone.

And you’re all familiar with helminthology?
It’s the science of worms.

Oh, and you will recall that Phoebe Mozee
is the real name of Annie Oakley.

Other than that, everything should be obvious.
Wagga Wagga is in New South Wales.
Rhyolite is that soft volcanic rock.
What else?
Yes, meranti is a type of timber, in tropical Asia I think,
and Rahway is just Rahway, New Jersey.

The rest of the poem should be clear.
I’ll just read it and let it speak for itself.

It’s about the time I went picking wild strawberries.

It’s called “Picking Wild Strawberries.”

Sunday, February 10, 2013

Praise Song for the Day

- Elizabeth Alexander

A Poem for Barack Obama's Presidential Inauguration (The first one)

Each day we go about our business,
walking past each other, catching each other's
eyes or not, about to speak or speaking.

All about us is noise. All about us is
noise and bramble, thorn and din, each
one of our ancestors on our tongues.

Someone is stitching up a hem, darning
a hole in a uniform, patching a tire,
repairing the things in need of repair.

Someone is trying to make music somewhere,
with a pair of wooden spoons on an oil drum,
with cello, boom box, harmonica, voice.

A woman and her son wait for the bus.
A farmer considers the changing sky.
A teacher says, Take out your pencils. Begin.

We encounter each other in words, words
spiny or smooth, whispered or declaimed,
words to consider, reconsider.

We cross dirt roads and highways that mark
the will of some one and then others, who said
I need to see what's on the other side.

I know there's something better down the road.
We need to find a place where we are safe.
We walk into that which we cannot yet see.

Say it plain: that many have died for this day.
Sing the names of the dead who brought us here,
who laid the train tracks, raised the bridges,

picked the cotton and the lettuce, built
brick by brick the glittering edifices
they would then keep clean and work inside of.

Praise song for struggle, praise song for the day.
Praise song for every hand-lettered sign,
the figuring-it-out at kitchen tables.

Some live by love thy neighbor as thyself,
others by first do no harm or take no more
than you need
. What if the mightiest word is love?

Love beyond marital, filial, national,
love that casts a widening pool of light,
love with no need to pre-empt grievance.

In today's sharp sparkle, this winter air,
any thing can be made, any sentence begun.
On the brink, on the brim, on the cusp,

praise song for walking forward in that light.


Copyright © 2009.

Friday, February 8, 2013

America

- Claude McKay

Although she feeds me bread of bitterness,
And sinks into my throat her tiger's tooth,
Stealing my breath of life, I will confess
I love this cultured hell that tests my youth!
Her vigor flows like tides into my blood,
Giving me strength erect against her hate.
Her bigness sweeps my being like a flood.
Yet as a rebel fronts a king in state,
I stand within her walls with not a shred
Of terror, malice, not a word of jeer.
Darkly I gaze into the days ahead,
And see her might and granite wonders there,
Beneath the touch of Time's unerring hand,
Like priceless treasures sinking in the sand.


Copyright 1922.