All Patronage Accepted.

The Lark

-  Gabriela Mistral

                       Translated By Maria Giachetti
 

               You said that you loved the lark more than any other bird because of its straight flight toward the sun.   That is how I wanted our flight to be.
               Albatrosses fly over the sea, intoxicated by salt and iodine.   They are like unfettered waves playing in the air, but they do not lose touch with the other waves.
               Storks make long journeys; they cast shadows over the Earth’s face.   But like albatrosses, they fly horizontally, resting in the hills.
               Only the lark leaps out of ruts like a live dart, and rises, swallowed by the heavens.   Then the sky feels as though the Earth itself has risen.   Heavy jungles below do not answer the lark.   Mountains crucified over the flatlands do not answer.
               But a winged arrow quickly shoots ahead, and it sings between the sun and the Earth.   One does not know if the bird has come down from the sun or risen from the Earth.   It exists between the two, like a flame.   When it has serenaded the skies with its abundance, the exhausted lark lands in the wheatfield.
               You, Francis, wanted us to achieve that vertical flight, without a zigzag, in order to arrive at that haven where we could rest in the light.
               You wanted the morning air filled with arrows, with a multitude of carefree larks.   Francis, with each morning song, you imagined that a net of golden larks floated between the Earth and the sky.
               We are burdened, Francis.   We cherish our lukewarm rut: our habits.   We exalt ourselves in glory just as the towering grass aspires.   The loftiest blade does not reach beyond the high pines.
               Only when we die do we achieve that vertical flight!   Never again, held back by earthly ruts, will our bodies inhibit our souls.

from A Gabriela Mistral Reader. Copyright 1993.

from: Kaddish

- Allen Ginsberg

For Naomi Ginsberg, 1894—1956

I

Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

downtown Manhattan, clear winter noon, and I’ve been up all night, talking, talking, reading the Kaddish aloud, listening to Ray Charles blues shout blind on the phonograph

the rhythm the rhythm—and your memory in my head three years after—And read Adonais’ last triumphant stanzas aloud—wept, realizing how we suffer—

And how Death is that remedy all singers dream of, sing, remember, prophesy as in the Hebrew Anthem, or the Buddhist Book of Answers—and my own imagination of a withered leaf—at dawn—

Dreaming back thru life, Your time—and mine accelerating toward Apocalypse,

the final moment—the flower burning in the Day—and what comes after,   

looking back on the mind itself that saw an American city

a flash away, and the great dream of Me or China, or you and a phantom Russia, or a crumpled bed that never existed—

like a poem in the dark—escaped back to Oblivion—

No more to say, and nothing to weep for but the Beings in the Dream, trapped in its disappearance,

sighing, screaming with it, buying and selling pieces of phantom, worshipping each other,

worshipping the God included in it all—longing or inevitability?—while it lasts, a Vision—anything more?

It leaps about me, as I go out and walk the street, look back over my shoulder, Seventh Avenue, the battlements of window office buildings shouldering each other high, under a cloud, tall as the sky an instant—and the sky above—an old blue place.

or down the Avenue to the south, to—as I walk toward the Lower East Side—where you walked 50 years ago, little girl—from Russia, eating the first poisonous tomatoes of America—frightened on the dock—

then struggling in the crowds of Orchard Street toward what?—toward Newark—

toward candy store, first home-made sodas of the century, hand-churned ice cream in backroom on musty brownfloor boards—

Toward education marriage nervous breakdown, operation, teaching school, and learning to be mad, in a dream—what is this life?

Toward the Key in the window—and the great Key lays its head of light on top of Manhattan, and over the floor, and lays down on the sidewalk—in a single vast beam, moving, as I walk down First toward the Yiddish Theater—and the place of poverty

you knew, and I know, but without caring now—Strange to have moved

thru Paterson, and the West, and Europe and here again,

with the cries of Spaniards now in the doorstoops doors and dark boys on the street, fire escapes old as you

-Tho you’re not old now, that’s left here with me—

Myself, anyhow, maybe as old as the universe—and I guess that dies with us—enough to cancel all that comes—What came is gone forever every time—

That’s good! That leaves it open for no regret—no fear radiators, lacklove, torture even toothache in the end—

Though while it comes it is a lion that eats the soul—and the lamb, the soul, in us, alas, offering itself in sacrifice to change’s fierce hunger—hair and teeth—and the roar of bonepain, skull bare, break rib, rot-skin, braintricked Implacability.

Ai! ai! we do worse! We are in a fix! And you’re out, Death let you out, Death had the Mercy, you’re done with your century, done with God, done with the path thru it—Done with yourself at last—Pure—Back to the Babe dark before your Father, before us all—before the world—

There, rest. No more suffering for you. I know where you’ve gone, it’s good.

No more flowers in the summer fields of New York, no joy now, no more fear of Louis,

and no more of his sweetness and glasses, his high school decades, debts, loves, frightened telephone calls, conception beds, relatives, hands—

No more of sister Elanor,.—she gone before you—we kept it secret—you killed her—or she killed herself to bear with you—an arthritic heart—But Death’s killed you both—No matter—

Nor your memory of your mother, 1915 tears in silent movies weeks and weeks—forgetting, aggrieve watching Marie Dressler address humanity, Chaplin dance in youth,

or Boris Godunov, Chaliapin’s at the Met, hailing his voice of a weeping Czar—by standing room with Elanor & Max—watching also the Capitalists take seats in Orchestra, white furs, diamonds,

with the YPSL’s hitch-hiking thru Pennsylvania, in black baggy gym skirts pants, photograph of 4 girls holding each other round the waste, and laughing eye, too coy, virginal solitude of 1920

all girls grown old, or dead, now, and that long hair in the grave—lucky to have husbands later—

You made it—I came too—Eugene my brother before (still grieving now and will gream on to his last stiff hand, as he goes thru his cancer—or kill—later perhaps—soon he will think—)

And it’s the last moment I remember, which I see them all, thru myself, now—tho not you

I didn’t foresee what you felt—what more hideous gape of bad mouth came first—to you—and were you prepared?

To go where? In that Dark—that—in that God? a radiance? A Lord in the Void? Like an eye in the black cloud in a dream? Adonoi at last, with you?

Beyond my remembrance! Incapable to guess! Not merely the yellow skull in the grave, or a box of worm dust, and a stained ribbon—Deathshead with Halo? can you believe it?

Is it only the sun that shines once for the mind, only the flash of existence, than none ever was?

Nothing beyond what we have—what you had—that so pitiful—yet Triumph,

to have been here, and changed, like a tree, broken, or flower—fed to the ground—but mad, with its petals, colored, thinking Great Universe, shaken, cut in the head, leaf stript, hid in an egg crate hospital, cloth wrapped, sore—freaked in the moon brain, Naughtless.

No flower like that flower, which knew itself in the garden, and fought the knife—lost

Cut down by an idiot Snowman’s icy—even in the Spring—strange ghost thought—some Death—Sharp icicle in his hand—crowned with old roses—a dog for his eyes—cock of a sweatshop—heart of electric irons.

All the accumulations of life, that wear us out—clocks, bodies, consciousness, shoes, breasts—begotten sons—your Communism—‘Paranoia’ into hospitals.

You once kicked Elanor in the leg, she died of heart failure later. You of stroke. Asleep? within a year, the two of you, sisters in death. Is Elanor happy?

Max grieves alive in an office on Lower Broadway, lone large mustache over midnight Accountings, not sure. l His life passes—as he sees—and what does he doubt now? Still dream of making money, or that might have made money, hired nurse, had children, found even your Immortality, Naomi?

I’ll see him soon. Now I’ve got to cut through—to talk to you—as I didn’t when you had a mouth.

Forever. And we’re bound for that, Forever—like Emily Dickinson’s horses—headed to the End.

They know the way—These Steeds—run faster than we think—it’s our own life they cross—and take with them.       . . .

                                                       Love,

                                                               your mother’

       which is Naomi—


from: Selected Poems 1947-1995. Copyright 2001. 

Inland

- Edna St. Vincent Millay

People that build their houses inland,
People that buy a plot of ground
Shaped like a house, and build a house there,
Far from the sea-board, far from the sound

Of water sucking the hollow ledges,
Tons of water striking the shore,—
What do they long for, as I long for
One salt smell of the sea once more?

People the waves have not awakened,
Spanking the boats at the harbour's head,
What do they long for, as I long for,—
Starting up in my inland bed,

Beating the narrow walls, and finding
Neither a window nor a door,
Screaming to God for death by drowning,—
One salt taste of the sea once more?

Crow Song

  - Margaret Atwood

In the arid sun, over the field
where the corn has rotted and then
dried up, you flock and squabble.
Not much here for you, my people,
but there would be
if
if

In my austere black uniform
I raised the banner
which decreed Hope
and which did not succeed
and which is not allowed.
Now I must confront the angel
who says Win,
who tells me to wave any banner
that you will follow

for you ignore me, my
baffled people, you have been through
too many theories
too many stray bullets
your eyes are gravel, skeptical,
in this hard field
you pay attention only
to the rhetoric of seed
fruit stomach elbow.

You have too many leaders
you have too many wars,
all of them pompous and small,
you resist only when you feel
like dressing up,
you forget the sane corpses...

I know you would like a god
to come down and feed you
and punish you. That overcoat
on sticks is not alive
there are no angels,
but the angels of hunger,
prehensile and soft as gullets
Watching you
my people, I become cynical,
you have defrauded me of hope
and left me alone with politics...

Kilt Monday!

'Cause let's face it,

Mondays can be so .   .  .  rough, hard, difficult.

Quotes of the Day

Injustice anywhere is a threat to justice everywhere.

 

Martin Luther King Jr., 

Letter from Birmingham Jail.

 

O Lord, how long shall I cry for help, and you will not listen?
Or cry to you “Violence!” and you will not save?
Why do you make me see wrongdoing and look at trouble?
Destruction and violence are before me; strife and contention arise.
So the law becomes slack and justice never prevails.
The wicked surround the righteous— therefore judgment comes forth perverted.
 

- The Prophet Malachi's Complaint

Making a Fist

- Naomi Shihab Nye

For the first time, on the road north of Tampico,
I felt the life sliding out of me,
a drum in the desert, harder and harder to hear.
I was seven, I lay in the car
watching palm trees swirl a sickening pattern past the glass.
My stomach was a melon split wide inside my skin.

"How do you know if you are going to die?"
I begged my mother.
We had been traveling for days.
With strange confidence she answered,
"When you can no longer make a fist."

Years later I smile to think of that journey,
the borders we must cross separately,
stamped with our unanswerable woes.
I who did not die, who am still living,
still lying in the backseat behind all my questions,
clenching and opening one small hand.


from: Words Under the Words: Selected Poems . Copyright 1995.