Tuesday, May 31, 2016
Monday, May 30, 2016
So Many . . . Remember
In Flanders Field
- Lieutenant Colonel John McCrae,
MD Canadian Army 1915
In Flanders Fields the poppies blow
Between the crosses row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.
Sunday, May 29, 2016
A Journey
- Edward Field
When he got up that morning everything was different:
He enjoyed the bright spring day
But he did not realize it exactly, he just enjoyed it.
And walking down the street to the railroad station
Past magnolia trees with dying flowers like old socks
It was a long time since he had breathed so simply.
Tears filled his eyes and it felt good
But he held them back
Because men didn't walk around crying in that town.
Waiting on the platform at the station
When he got up that morning everything was different:
He enjoyed the bright spring day
But he did not realize it exactly, he just enjoyed it.
And walking down the street to the railroad station
Past magnolia trees with dying flowers like old socks
It was a long time since he had breathed so simply.
Tears filled his eyes and it felt good
But he held them back
Because men didn't walk around crying in that town.
Waiting on the platform at the station
The fear came over him of something terrible about to happen:
The train was late and he recited the alphabet to keep hold.
And in its time it came screeching in
And as it went on making its usual stops,
People coming and going, telephone poles passing,
He hid his head behind a newspaper
No longer able to hold back the sobs, and willed his eyes
To follow the rational weavings of the seat fabric.
He didn't do anything violent as he had imagined.
He cried for a long time, but when he finally quieted down
A place in him that had been closed like a fist was open,
And at the end of the ride he stood up and got off that train:
And through the streets and in all the places he lived in later on
He walked, himself at last, a man among men,
With such radiance that everyone looked up and wondered.
From: A Book of Luminous Things: An International Anthology of Poetry.
The train was late and he recited the alphabet to keep hold.
And in its time it came screeching in
And as it went on making its usual stops,
People coming and going, telephone poles passing,
He hid his head behind a newspaper
No longer able to hold back the sobs, and willed his eyes
To follow the rational weavings of the seat fabric.
He didn't do anything violent as he had imagined.
He cried for a long time, but when he finally quieted down
A place in him that had been closed like a fist was open,
And at the end of the ride he stood up and got off that train:
And through the streets and in all the places he lived in later on
He walked, himself at last, a man among men,
With such radiance that everyone looked up and wondered.
From: A Book of Luminous Things: An International Anthology of Poetry.
Saturday, May 28, 2016
It's A Garden Party! - Meep! Meep!
This feature, originally known as Saturday Farmer's Market, was created by Heather at Capricious Reader, and was then hosted by Chris at Stuff as Dreams are Made on.
If anyone would like to share their own gardening adventures with me - large or small, inside or out - I would love to see them.
Just leave a link to your post in the comments.
It seems the Roadrunner is hiding in my Lantanna.
Which is is quite easy this year because it is going wild.
The Poppies are also exceptional this year.
This is in my front yard.
These Poppies are taking up about one quarter of the front.
My Iris are tucked in among the Cape Honeysuckle, which has really come into its own. It is growing into a substantial hedge along the fence line, but won't have its best display in the fall.
Look! Oranges!
Daisies!
Daisy TimeSee, the grass is full of stars,Fallen in their brightness;Hearts they have of shining gold,Rays of shining whiteness.Buttercups have honeyed hearts,Bees they love the clover,But I love the daisies' danceAll the meadow over.Blow, O blow, you happy winds,Singing summer's praises,Up the field and down the fieldA-dancing with the daisies.
Friday, May 27, 2016
Seen Fleetingly, From A Train
- Bronislaw Maj
Seen fleetingly, from a train:
a foggy evening, strands of smoke
hanging immobile over fields,
the humid blackness of earth, the sun
almost set—against its fading shield,
far away, two dots: women in dark wraps
coming back from church perhaps, perhaps
one tells something to another, some common story,
of sinful lives perhaps—her words
distinct and simple but out of them
one could create everything
again. Keep it in memory, forever:
the sun, ploughed earth, women,
love, evening, those few words
good for the beginning, keep it all—
perhaps tomorrow we will be
somewhere else, altogether.
Seen fleetingly, from a train:
a foggy evening, strands of smoke
hanging immobile over fields,
the humid blackness of earth, the sun
almost set—against its fading shield,
far away, two dots: women in dark wraps
coming back from church perhaps, perhaps
one tells something to another, some common story,
of sinful lives perhaps—her words
distinct and simple but out of them
one could create everything
again. Keep it in memory, forever:
the sun, ploughed earth, women,
love, evening, those few words
good for the beginning, keep it all—
perhaps tomorrow we will be
somewhere else, altogether.
Labels:
Bronislaw Maj,
Poetry,
Seen Fleetingly From A Train
Thursday, May 26, 2016
Ancient Air
- Li Po
I climb up high and look on the four seas,
Heaven and earth spreading out so far.
Frost blankets all the stuff of autumn,
The wind blows with the great desert's cold.
The eastward-flowing water is immense,
All the ten thousand things billow.
The white sun's passing brightness fades,
Floating clouds seem to have no end.
Swallows and sparrows nest in the wutong tree,
Yuan and luan birds perch among jujube thorns.
Now it's time to head on back again,
I flick my sword and sing Taking the Hard Road.
I climb up high and look on the four seas,
Heaven and earth spreading out so far.
Frost blankets all the stuff of autumn,
The wind blows with the great desert's cold.
The eastward-flowing water is immense,
All the ten thousand things billow.
The white sun's passing brightness fades,
Floating clouds seem to have no end.
Swallows and sparrows nest in the wutong tree,
Yuan and luan birds perch among jujube thorns.
Now it's time to head on back again,
I flick my sword and sing Taking the Hard Road.
Wednesday, May 25, 2016
Quote of the Day
A life is like a garden. Perfect moments can be had, but not preserved, except in memory.
- Leonard Nimoy
Tuesday, May 24, 2016
Vacation
- William Stafford
One scene as I bow to pour her coffee: -
One scene as I bow to pour her coffee: -
Three Indians in the scouring drouthI pour the cream.
huddle at a grave scooped in the gravel,
lean to the wind as our train goes by.
Someone is gone.
There is dust on everything in Nevada.
Monday, May 23, 2016
Sunday, May 22, 2016
Saturday, May 21, 2016
It's A Garden Party! - Spring Is Still Springing
This feature, originally known as Saturday Farmer's Market, was created by Heather at Capricious Reader, and was then hosted by Chris at Stuff as Dreams are Made on.
If anyone would like to share their own gardening adventures with me - large or small, inside or out - I would love to see them.
Just leave a link to your post in the comments.
This little sweetheart is a happy miracle. After more than twenty years of failure,
I have not only managed to keep an African Violet alive,
I have lived to see it bloom!
This little sweetheart is a happy miracle. After more than twenty years of failure,
I have not only managed to keep an African Violet alive,
I have lived to see it bloom!
I know this isn't a very good picture of my Jade Tree, but take my word for it, it is thriving.
Two years ago it suffered severe frost damage after laughing at years of unprotected winters. It belonged to my neighbor who never took any winter precautions. After he gave it to me I took what I thought were proper winter precautions - to no avail.
I moved it in to the conservatory and it is recovering beautifully. Soon I will be moving it outside so it can enjoy the Summer weather.
Lastly, my little California Bay Laurel. Well it was little. It has more than quadrupled in size in only two years.
from The Laurel TreeOne of the local philosophers ...He says, “In CaliforniaWe have the old anarchist tradition.”What can he mean? Is there an anarchist tradition?And why would an anarchist want one?O California,Is there a tree without opinions?Come, let me clasp you!Let me feel the idea breathing.I too cry O for a life of sensationsRather than thoughts—“The sayling Pine, the Cedar proud and tall.”Like the girls in our neighborhood,They’re beautiful and silent.
This my little Garden Piggy. She keeps an eye on the weeds.
But she doesn't fly.
Friday, May 20, 2016
Rainbow at Night
- Antonio Machado
for Don Ramon del Valle-Inclan
The train moves through the Guadarrama
one night on the way to Madrid.
The moon and the fog create
high up a rainbow.
Oh April moon, so calm,
driving the white clouds!
The mother holds her boy
sleeping on her lap.
The boy sleeps, and nevertheless
sees the green fields outside,
and trees lit up by sun,
and the golden butterflies.
The mother, her forehead dark
between a day gone and a day to come,
sees a fire nearly out
and an oven with spiders.
There’s a traveler made with grief,
no doubt seeing odd things;
he talks to himself, and when he looks
wipes us out with his look.
I remember fields under snow,
and pine trees of mother mountains.
And you, Lord, through whom we all
have eyes, and who sees souls,
tell us if we all one
day will see your face.
- translated from the Spanish by Robert Bly.
for Don Ramon del Valle-Inclan
The train moves through the Guadarrama
one night on the way to Madrid.
The moon and the fog create
high up a rainbow.
Oh April moon, so calm,
driving the white clouds!
The mother holds her boy
sleeping on her lap.
The boy sleeps, and nevertheless
sees the green fields outside,
and trees lit up by sun,
and the golden butterflies.
The mother, her forehead dark
between a day gone and a day to come,
sees a fire nearly out
and an oven with spiders.
There’s a traveler made with grief,
no doubt seeing odd things;
he talks to himself, and when he looks
wipes us out with his look.
I remember fields under snow,
and pine trees of mother mountains.
And you, Lord, through whom we all
have eyes, and who sees souls,
tell us if we all one
day will see your face.
- translated from the Spanish by Robert Bly.
Thursday, May 19, 2016
Wednesday, May 18, 2016
Tuesday, May 17, 2016
Monday, May 16, 2016
Sunday, May 15, 2016
Fish Cove
- Blaise Cendrars
translated from the French by Monique Chefdor
The water is so clear and so calm
Deep at the bottom you can see the white bushes
of coral
The prismatic sway of hanging jellyfish
The yellow pink lilac fish taking flight
And at the foot of the wavy seaweeds the azure
sea cucumbers and the urchins green and purple
translated from the French by Monique Chefdor
The water is so clear and so calm
Deep at the bottom you can see the white bushes
of coral
The prismatic sway of hanging jellyfish
The yellow pink lilac fish taking flight
And at the foot of the wavy seaweeds the azure
sea cucumbers and the urchins green and purple
Saturday, May 14, 2016
It's A Garden Party! - How About A Quick Trip To the Desert
This feature, originally known as Saturday Farmer's Market, was created by Heather at Capricious Reader, and was then hosted by Chris at Stuff as Dreams are Made on.
If anyone would like to share their own gardening adventures with me - large or small, inside or out - I would love to see them.
Just leave a link to your post in the comments.
Let's start with some Cactus, shall we?
The one in the picture above is commonly known as the Old Man Cactus. From what I understand it won't bloom for it's first 10 -20 years of life. I hope I can keep it alive that long. They grow to about 8 feet in the wild but mine will be staying in the conservatory for the foreseeable future.
In the picture below are a couple different Barrel Cacti and a Grafted one. I am new to Cactus and Succulents so I know next to nothing about them yet.
Here a a few Succulents.
So far, the biggest difference I have found between Cacti & Succulents is that Succulents are marginally harder to kill than Cacti if your tendency is to over water. Remember, I said marginally.
Given that I live in California and water conservation is the watchword these days, I am trying to transition in to more water wise plants, inside as well as out. It's a good thing that they tend to be fairly inexpensive because I occasionally drown one.
I found a site called Hello Poetry, which has a page full of poetry about Cacti. I believe this is poetry by individuals who just post on the site. Some of them are pretty good. Click on the site name to visit.
Friday, May 13, 2016
Rebirth
- Rudyard Kipling
If any God should say,
"I will restore
The world her yesterday
Whole as before
My Judgment blasted it"—who would not lift
Heart, eye, and hand in passion o'er the gift?
If any God should will
To wipe from mind
The memory of this ill
Which is Mankind
In soul and substance now—who would not bless
Even to tears His loving-tenderness?
If any God should give
Us leave to fly
These present deaths we live,
And safely die
In those lost lives we lived ere we were born—
What man but would not laugh the excuse to scorn?
For we are what we are—
So broke to blood
And the strict works of war—
So long subdued
To sacrifice, that threadbare Death commands
Hardly observance at our busier hands.
Yet we were what we were,
And, fashioned so,
It pleases us to stare
At the far show
Of unbelievable years and shapes that flit,
In our own likeness, on the edge of it.
"I will restore
The world her yesterday
Whole as before
My Judgment blasted it"—who would not lift
Heart, eye, and hand in passion o'er the gift?
If any God should will
To wipe from mind
The memory of this ill
Which is Mankind
In soul and substance now—who would not bless
Even to tears His loving-tenderness?
If any God should give
Us leave to fly
These present deaths we live,
And safely die
In those lost lives we lived ere we were born—
What man but would not laugh the excuse to scorn?
For we are what we are—
So broke to blood
And the strict works of war—
So long subdued
To sacrifice, that threadbare Death commands
Hardly observance at our busier hands.
Yet we were what we were,
And, fashioned so,
It pleases us to stare
At the far show
Of unbelievable years and shapes that flit,
In our own likeness, on the edge of it.
Thursday, May 12, 2016
I Am Waiting
I am waiting for my case to come up
and I am waiting
for a rebirth of wonder
and I am waiting for someone
to really discover America
and wail
and I am waiting
for the discovery
of a new symbolic western frontier
and I am waiting
for the American Eagle
to really spread its wings
and straighten up and fly right
and I am waiting
for the Age of Anxiety
to drop dead
and I am waiting
for the war to be fought
which will make the world safe
for anarchy
and I am waiting
for the final withering away
of all governments
and I am perpetually awaiting
a rebirth of wonder
I am waiting for the Second Coming
and I am waiting
for a religious revival
to sweep thru the state of Arizona
and I am waiting
for the Grapes of Wrath to be stored
and I am waiting
for them to prove
that God is really American
and I am waiting
to see God on television
piped onto church altars
if only they can find
the right channel
to tune in on
and I am waiting
for the Last Supper to be served again
with a strange new appetizer
and I am perpetually awaiting
a rebirth of wonder
I am waiting for my number to be called
and I am waiting
for the Salvation Army to take over
and I am waiting
for the meek to be blessed
and inherit the earth
without taxes
and I am waiting
for forests and animals
to reclaim the earth as theirs
and I am waiting
for a way to be devised
to destroy all nationalisms
without killing anybody
and I am waiting
for linnets and planets to fall like rain
and I am waiting for lovers and weepers
to lie down together again
in a new rebirth of wonder
I am waiting for the Great Divide to be crossed
and I am anxiously waiting
for the secret of eternal life to be discovered
by an obscure general practitioner
and I am waiting
for the storms of life
to be over
and I am waiting
to set sail for happiness
and I am waiting
for a reconstructed Mayflower
to reach America
with its picture story and tv rights
sold in advance to the natives
and I am waiting
for the lost music to sound again
in the Lost Continent
in a new rebirth of wonder
I am waiting for the day
that maketh all things clear
and I am awaiting retribution
for what America did
to Tom Sawyer
and I am waiting
for Alice in Wonderland
to retransmit to me
her total dream of innocence
and I am waiting
for Childe Roland to come
to the final darkest tower
and I am waiting
for Aphrodite
to grow live arms
at a final disarmament conference
in a new rebirth of wonder
I am waiting
to get some intimations
of immortality
by recollecting my early childhood
and I am waiting
for the green mornings to come again
youth’s dumb green fields come back again
and I am waiting
for some strains of unpremeditated art
to shake my typewriter
and I am waiting to write
the great indelible poem
and I am waiting
for the last long careless rapture
and I am perpetually waiting
for the fleeing lovers on the Grecian Urn
to catch each other up at last
and embrace
and I am awaiting
perpetually and forever
a renaissance of wonder
from: A Coney Island of the Mind. Copyright 1958.
Wednesday, May 11, 2016
Quote of the Day
I give you this to take with you:
Nothing remains as it was. If you know this, you can
begin again, with pure joy in the uprooting.
- Judith Minty, Letters to My Daughters
Friday, May 6, 2016
Marge's Shoes
The first few years she wore them
I didn't even notice the leather's soft tan,
and the buckskin laces roughly looped.
By the time I paid attention, her feet
had already curved the shoes inward,
weather had toughened the soft leather,
and one lace had broken short.
Then I asked where she got those shoes
and she said from the Indian store
down in Mountain View.
Some other time, another year, I asked
the name of the Indian store
that sold handmade shoes like hers,
but she said it went out of business
and no store sold mocs with vodka
splatters and Yosemite dirt ground in
with a little tamale pie, so I couldn't
buy shoes like hers anyway.
Last summer, laughing and crying
together, in the campground
at Lake Mendocino, on the night
before her youngest son's wedding
while the men drank beer and talked
of politics and sports,
I told her how much I really, really liked
those old shoes of hers. So
she took them off and gave them to me.
Those beat-up, raggedy Kaibab moccasins
I wear are stained and worn rough
by hard years in my friend's life.
I wear them when I need her courage.
from: Red Indian Road West: Native American Poetry from
California, Copyright 2016.
Thursday, May 5, 2016
May
The backyard apple tree gets sad so soon,
takes on a used-up, feather-duster look
within a week.
The ivy’s spring reconnaissance campaign
sends red feelers out and up and down
to find the sun.
Ivy from last summer clogs the pool,
brewing a loamy, wormy, tea-leaf mulch
soft to the touch
and rank with interface of rut and rot.
The month after the month they say is cruel
is and is not.
Wednesday, May 4, 2016
Essay on Psychiatrists
I. Invocation
It's crazy to think one could describe them—
Calling on reason, fantasy, memory, eyes and ears—
As though they were all alike any more
Than sweeps, opticians, poets or masseurs.
Moreover, they are for more than one reason
Difficult to speak of seriously and freely,
And I have never (even this is difficult to say
Plainly, without foolishness or irony)
Consulted one for professional help, though it happens
Many or most of my friends have—and that,
Perhaps, is why it seems urgent to try to speak
Sensibly about them, about the psychiatrists.
II. Some Terms
“Shrink” is a misnomer. The religious
Analogy is all wrong, too, and the old,
Half-forgotten jokes about Viennese accents
And beards hardly apply to the good-looking woman
In boots and a knit dress, or the man
Seen buying the Sunday Times in mutton-chop
Whiskers and expensive running shoes.
In a way I suspect that even the terms “doctor”
And “therapist” are misnomers; the patient
Is not necessarily “sick.” And one assumes
That no small part of the psychiatrist’s
Role is just that: to point out misnomers.
III. Proposition
These are the first citizens of contingency.
Far from the doctrinaire past of the old ones,
They think in their prudent meditations
Not about ecstasy (the soul leaving the body)
Nor enthusiasm (the god entering one’s person)
Nor even about sanity (which means
Health, an impossible perfection)
But ponder instead relative truth and the warm
Dusk of amelioration. The cautious
Young augurs with their family-life, good books
And records and foreign cars believe
In amelioration—in that, and in suffering.
IV. A Lakeside Identification
Yes, crazy to suppose one could describe them—
And yet, there was this incident: at the local beach
Clouds of professors and the husbands of professors
Swam, dabbled, or stood to talk with arms folded
Gazing at the lake ... and one of the few townsfolk there,
With no faculty status—a matter-of-fact, competent,
Catholic woman of twenty-seven with five children
And a first-rate body—pointed her finger
At the back of one certain man and asked me,
“Is that guy a psychiatrist?” and by god he was! “Yes,”
She said, “He looks like a psychiatrist.”
Grown quiet, I looked at his pink back, and thought.
V. Physical Comparison With Professors And Others
Pink and a bit soft-bodied, with a somewhat jazzy
Middle-class bathing suit and sandy sideburns, to me
He looked from the back like one more professor.
And from the front, too—the boyish, unformed carriage
Which foreigners always note in American men, combined
As in a professor with that liberal, quizzical,
Articulate gaze so unlike the more focused, more
Tolerant expression worn by a man of action (surgeon,
Salesman, athlete). On closer inspection was there,
Perhaps, a self-satisfied benign air, a too studied
Gentleness toward the child whose hand he held loosely?
Absurd to speculate; but then—the woman saw something.
VI. Their Seriousness, With Further Comparisons
In a certain sense, they are not serious.
That is, they are serious—useful, deeply helpful,
Concerned—only in the way that the pilots of huge
Planes, radiologists, and master mechanics can,
At their best, be serious. But however profound
The psychiatrists may be, they are not serious the way
A painter may be serious beyond pictures, or a businessman
May be serious beyond property and cash—or even
The way scholars and surgeons are serious, each rapt
In his work’s final cause, contingent upon nothing:
Beyond work; persons; recoveries. And this is fitting:
Who would want to fly with a pilot who was serious
About getting to the destination safely? Terrifying idea—
That a pilot could over-extend, perhaps try to fly
Too well, or suffer from Pilot’s Block; of course,
It may be that (just as they must not drink liquor
Before a flight) they undergo regular, required check-ups
With a psychiatrist, to prevent such things from happening.
VII. Historical (The Bacchae)
Madness itself, as an idea, leaves us confused—
Incredulous that it exists, or cruelly facetious,
Or stricken with a superstitious awe as if bound
By the lost cults of Trebizond and Pergamum ...
The most profound study of madness is found
In the Bacchae of Euripides, so deeply disturbing
That in Cambridge, Massachusetts the players
Evaded some of the strongest unsettling material
By portraying poor sincere, fuddled, decent Pentheus
As a sort of fascistic bureaucrat—but it is Dionysus
Who holds rallies, instills exaltations of violence,
With his leopards and atavistic troops above law,
Reason and the good sense and reflective dignity
Of Pentheus—Pentheus, humiliated, addled, made to suffer
Atrocity as a minor jest of the smirking God.
When Bacchus’s Chorus (who call him “most gentle”!) observe:
“Ten thousand men have ten thousand hopes; some fail,
Some come to fruit, but the happiest man is he
Who gathers the good of life day by day”—as though
Life itself were enough—does that mean, to leave ambition?
And is it a kind of therapy, or truth? Or both?
VIII. A Question
On the subject of madness the Bacchae seems,
On the whole, more pro than contra. The Chorus
Says of wine, “There is no other medicine for misery”;
When the Queen in her ecstasy—or her enthusiasm?—
Tears her terrified son’s arm from his body, or bears
His head on her spear, she remains happy so long
As she remains crazy; the God himself (who bound fawnskin
To the women’s flesh, armed them with ivy arrows
And his orgies’ livery) debases poor Pentheus first,
Then leads him to mince capering towards female Death
And dismemberment: flushed, grinning, the grave young
King of Thebes pulls at a slipping bra-strap, simpers
Down at his turned ankle. Pentheus: “Should I lift up
Mount Cithæron—Bacchae, mother and all?”
Dionysus: “Do what you want to do. Your mind
Was unstable once, but now you sound more sane,
You are on your way to great things.”
The question is, Which is the psychiatrist: Pentheus, or Dionysus?
IX. Pentheus As Psychiatrist
With his reasonable questions Pentheus tries
To throw light on the old customs of savagery.
Like a brave doctor, he asks about it all,
He hears everything, “Weird, fantastic things”
The Messenger calls them: with their breasts
Swollen, their new babies abandoned, mothers
Among the Bacchantes nestled gazelles
And young wolves in their arms, and suckled them;
You might see a single one of them tear a fat calf
In two, still bellowing with fright, while others
Clawed heifers to pieces; ribs and hooves
Were strewn everywhere; blood-smeared scraps
Hung from the fir trees; furious bulls
Charged and then fell stumbling, pulled down
To be stripped of skin and flesh by screaming women ...
And Pentheus listened. Flames burned in their hair,
Unnoticed; thick honey spurted from their wands;
And the snakes they wore like ribbons licked
Hot blood from their flushed necks: Pentheus
Was the man the people told ... “weird things,” like
A middle-class fantasy of release; and when even
The old men—bent Cadmus and Tiresias—dress up
In fawnskin and ivy, beating their wands on the ground,
Trying to carouse, it is Pentheus—down-to-earth,
Sober—who raises his voice in the name of dignity.
Being a psychiatrist, how could he attend to the Chorus’s warning
Against “those who aspire” and “a tongue without reins”?
X. Dionysus As Psychiatrist
In a more hostile view, the psychiatrists
Are like Bacchus—the knowing smirk of his mask,
His patients, his confident guidance of passion,
And even his little jokes, as when the great palace
Is hit by lightning which blazes and stays,
Bouncing among the crumpled stone walls ...
And through the burning rubble he comes,
With his soft ways picking along lightly
With a calm smile for the trembling Chorus
Who have fallen to the ground, bowing
In the un-Greek, Eastern way—What, Asian women,
He asks, Were you disturbed just now when Bacchus
Jostled the palace? He warns Pentheus to adjust,
To learn the ordinary man’s humble sense of limits,
Violent limits, to the rational world. He cures
Pentheus of the grand delusion that the dark
Urgencies can be governed simply by the mind,
And the mind’s will. He teaches Queen Agave to look
Up from her loom, up at the light, at her tall
Son’s head impaled on the stiff spear clutched
In her own hand soiled with dirt and blood.
XI. Their Philistinism Considered
“Greek Tragedy” of course is the sort of thing
They like and like the idea of ... though not “tragedy”
In the sense of newspapers. When a patient shot one of them,
People phoned in, many upset as though a deep,
Special rule had been abrogated, someone had gone too far.
The poor doctor, as described by the evening Globe,
Turned out to be a decent, conventional man (Doctors
For Peace, B’Nai Brith, numerous articles), almost
Carefully so, like Paul Valéry—or like Rex Morgan, M.D., who,
In the same Globe, attends a concert with a longjawed woman.
First Panel: “We’re a little early for the concert!
There’s an art museum we can stroll through!” “I’d like
That, Dr. Morgan!” Second Panel: “Outside the hospital,
There’s no need for such formality, Karen! Call me
By my first name!” “I’ll feel a little awkward!”
Final Panel: “Meanwhile ...” a black car pulls up
To City Hospital .... By the next day’s Globe, the real
Doctor has died of gunshot wounds, while for smiling, wooden,
Masklike Rex and his companion the concert has passed,
Painlessly, offstage: “This was a beautiful experience, Rex!”
“I’m glad you enjoyed it! I have season tickets
And you’re welcome to use them! I don’t have
The opportunity to go to many of the concerts!”
Second Panel: “You must be famished!” And so Rex
And Karen go off to smile over a meal which will pass
Like music offstage, off to the mysterious pathos
Of their exclamation marks, while in the final panel
“Meanwhile, In The Lobby At City Hospital”
A longjawed man paces furiously among
The lamps, magazines, tables and tubular chairs.
XII. Their Philistinism Dismissed
But after all—what “cultural life” and what
Furniture, what set of the face, would seem adequate
For those who supply medicine for misery?
After all, what they do is in a way a kind of art,
And what writers have to say about music, or painters’
Views about poetry, musicians’ taste in pictures, all
Often are similarly hoked-up, dutiful, vulgar. After all,
They are not gods or heroes, nor even priests chosen
Apart from their own powers, but like artists are mere
Experts dependent on their own wisdom, their own arts:
Pilgrims in the world, journeymen, bourgeois savants,
Gallant seekers and persistent sons, doomed
To their cruel furniture and their season tickets
As to skimped meditations and waxen odes.
At first, Rex Morgan seems a perfect Pentheus—
But he smirks, he is imperturbable, he understates;
Understatement is the privilege of a god, we must
Choose, we must find out which way to see them:
Either the bland arrogance of the abrupt mountain god
Or the man of the town doing his best, we must not
Complain both that they are inhuman and too human.
XIII. Their Despair
I am quite sure that I have read somewhere
That the rate of suicide among psychiatrists
Is far higher than for any other profession.
There are many myths to explain such things, things
Which one reads and believes without believing
Any one significance for them—as in this case,
Which again reminds me of writers, who, I have read,
Drink and become alcoholics and die of alcoholism
In far greater numbers than other people.
Symmetry suggests one myth, or significance: the drinking
Of writers coming from too much concentration,
In solitude, upon feelings expressed
For or even about possibly indifferent people, people
Who are absent or perhaps dead, or unborn; the suicide
Of psychiatrists coming from too much attention,
In most intimate contact, concentrated upon the feelings
Of people toward whom one may feel indifferent,
People who are certain, sooner or later, to die ...
Or people about whom they care too much, after all?
The significance of any life, of its misery and its end,
Is not absolute—that is the despair which
Underlies their good sense, recycling their garbage,
Voting, attending town-meetings, synagogues, churches,
Weddings, contingent gatherings of all kinds.
XIV. Their Speech, Compared With Wisdom And Poetry
Terms of all kinds mellow with time, growing
Arbitrary and rich as we call this man “neurotic”
Or that man “a peacock.” The lore of psychiatrists—
“Paranoid,” “Anal” and so on, if they still use
Such terms—also passes into the status of old sayings:
Water thinner than blood or under bridges; bridges
Crossed in the future or burnt in the past. Or the terms
Of myth, the phrases that well up in my mind:
Two blind women and a blind little boy, running—
Easier to cut thin air into planks with a saw
And then drive nails into those planks of air,
Than to evade those three, the blind harriers,
The tireless blind women and the blind boy, pursuing
For long years of my life, for long centuries of time.
Concerning Justice, Fortune and Love I believe
That there may be wisdom, but no science and few terms:
Blind, and blinding, too. Hot in pursuit and flight,
Justice, Fortune and Love demand the arts
Of knowing and naming: and, yes, the psychiatrists, too,
Patiently naming them. But all in pursuit and flight, two
Blind women, tireless, and the blind little boy.
XV. A Footnote Concerning Psychiatry Itself
Having mentioned it, though it is not
My subject here, I will say only that one
Hopes it is good, and hopes that practicing it
The psychiatrists who are my subject here
Will respect the means, however pathetic,
That precede them; that they respect the patient’s
Own previous efforts, strategies, civilizations—
Not only whatever it is that lets a man consciously
Desire girls of sixteen (or less) on the street,
And not embrace them, et cetera, but everything that was
There already: the restraints, and the other lawful
Old culture of wine, women, et cetera.
XVI. Generalizing, Just And Unjust
As far as one can generalize, only a few
Are not Jewish. Many, I have heard, grew up
As an only child. Among many general charges
Brought against them (smugness, obfuscation)
Is a hard, venal quality. In truth, they do differ
From most people in the special, tax-deductible status
Of their services, an enviable privilege which brings
Venality to the eye of the beholder, who feels
With some justice that if to soothe misery
Is a tax-deductible medical cost, then the lute-player,
Waitress, and actor also deserve to offer
Their services as tax-deductible; movies and TV
Should be tax-deductible ... or nothing should;
Such cash matters perhaps lead psychiatrists
And others to buy what ought not to be sold: Seder
Services at hotels; skill at games from paid lessons;
Fast divorce; the winning side in a war seen
On TV like cowboys or football—that is how much
One can generalize: psychiatrists are as alike (and unlike)
As cowboys. In fact, they are stock characters like cowboys:
“Bette Davis, Claude Rains in Now, Voyager (1942),
A sheltered spinster is brought out of her shell
By her psychiatrist” and “Steven Boyd, Jack Hawkins
In The Third Secret (1964), a psychoanalyst’s
Daughter asks a patient to help her find her father’s
Murderer.” Like a cowboy, the only child roams
The lonely ranges and secret mesas of his genre.
XVII. Their Patients
As a rule, the patients I know do not pace
Furiously, nor scream, nor shoot doctors. For them,
To be a patient seems not altogether different
From one’s interest in Ann Landers and her clients:
Her virtue of taking it all on, answering
Any question (artificial insemination by grandpa;
The barracuda of a girl who says that your glasses
Make you look square) and her virtue of saying,
Buster (or Dearie) stop complaining and do
What you want ... and often that seems to be the point:
After the glassware from Design Research, after
A place on the Cape with Marimekko drapes,
The superlative radio and shoes, comes
The contingency tax—serious people, their capacity
For mere hedonism fills up, one seems to need
To perfect more complex ideas of desire,
To overcome altruism in the technical sense,
To learn to say no when you mean no and yes
When you mean yes, a standard of cui bono, a standard
Which, though it seems to be the inverse
Of more Spartan or Christian codes, is no less
Demanding in its call, inward in this case, to duty.
It suggests a kind of league of men and women dedicated
To their separate, inward duties, holding in common
Only the most general standard, or no standard
Other than valuing a sense of the conflict
Among standards, a league recalling in its mutual
Conflict and comfort the well-known fact that psychiatrists,
Too, are the patients of other psychiatrists,
Working dutifully—cui bono—at the inward standards.
XVIII. The Mad
Other patients are ill otherwise, and do
Scream and pace and kill or worse; and that
Should be recalled. Kit Smart, Hitler,
The contemporary poets of lunacy—none of them
Helps me to think of the mad otherwise
Than in clichés too broad, the maenads
And wild-eyed killers of the movies ...
But perhaps lunacy feels something like a cliché,
A desperate or sweet yielding to some broad,
Mechanical simplification, a dispersal
Of the unbearable into its crude fragments,
The distraction of a repeated gesture
Or a compulsively hummed tune. Maybe
It is not utterly different from chewing
At one’s fingernails. For the psychiatrists
It must come to seem ordinary, its causes
And the causes of its relief, after all,
No matter how remote and intricate, are no
Stranger than life itself, which was born or caused
Itself, once, as a kind of odor, a faint wreath
Brewing where the radiant light from billions
Of miles off strikes a faint broth from water
Standing in rock; life born from the egg
Of rock, and the egglike rock of death
Are no more strange than this other life
Which we name after the moon, lunatic
Other-life ... housed, for the lucky ones,
In McLean Hospital with its elegant,
Prep-school atmosphere. When my friend
Went in, we both tried to joke: “Karen,” I said,
“You must be crazy to spend money and time
In this place”—she gained weight,
Made a chess-board, had a roommate
Who introduced herself as the Virgin Mary,
Referred to another patient: “Well, she must
Be an interesting person, if she’s in here.”
XIX. Peroration, Defining Happiness
“I know not how it is, but certainly I
Have never been more tired with any reading
Than with dissertations upon happiness,
Which seems not only to elude inquiry,
But to cast unmerciful loads of clay
And sand and husks and stubble
Along the high-road of the inquirer.
Even sound writers talk mostly in a drawling
And dreaming way about it. He,
Who hath given the best definition
Of most things, hath given but an imperfect one,
Here, informing us that a happy life
Is one without impediment to virtue ....
In fact, hardly anything which we receive
For truth is really and entirely so,
Let it appear plain as it may, and let
Its appeal be not only to the understanding,
But to the senses; for our words do not follow
The senses exactly; and it is by words
We receive truth and express it.”
So says Walter Savage Landor in his Imaginary
Conversation between Sir Philip Sidney
And Fulke Greville, Lord Brooke, all three,
In a sense, my own psychiatrists, shrinking
The sense of contingency and confusion
Itself to a few terms I can quote, ponder
Or type: the idea of wisdom, itself, shrinks.
XX. Peroration, Concerning Genius
As to my own concerns, it seems odd, given
The ideas many of us have about art,
That so many writers, makers of films,
Artists, all suitors of excellence and their own
Genius, should consult psychiatrists, willing
To risk that the doctor in curing
The sickness should smooth away the cicatrice
Of genius, too. But it is all bosh, the false
Link between genius and sickness,
Except perhaps as they were linked
By the Old Man, addressing his class
On the first day: “I know why you are here.
You are here to laugh. You have heard of a crazy
Old man who believes that Robert Bridges
Was a good poet; who believes that Fulke
Greville was a great poet, greater than Philip
Sidney; who believes that Shakespeare’s Sonnets
Are not all that they are cracked up to be .... Well,
I will tell you something: I will tell you
What this course is about. Sometime in the middle
Of the Eighteenth Century, along with the rise
Of capitalism and scientific method, the logical
Foundations of Western thought decayed and fell apart.
When they fell apart, poets were left
With emotions and experiences, and with no way
To examine them. At this time, poets and men
Of genius began to go mad. Gray went mad. Collins
Went mad. Kit Smart was mad. William Blake surely
Was a madman. Coleridge was a drug addict, with severe
Depression. My friend Hart Crane died mad. My friend
Ezra Pound is mad. But you will not go mad; you will grow up
To become happy, sentimental old college professors,
Because they were men of genius, and you
Are not; and the ideas which were vital
To them are mere amusement to you. I will not
Go mad, because I have understood those ideas ....”
He drank wine and smoked his pipe more than he should;
In the end his doctors in order to prolong life
Were forced to cut away most of his tongue.
That was their business. As far as he was concerned
Suffering was life’s penalty; wisdom armed one
Against madness; speech was temporary; poetry was truth.
XXI. Conclusion
Essaying to distinguish these men and women,
Who try to give medicine for misery,
From the rest of us, I find I have failed
To discover what essential statement could be made
About psychiatrists that would not apply
To all human beings, or what statement
About all human beings would not apply
Equally to psychiatrists. They, too,
Consult psychiatrists. They try tentatively
To understand, to find healing speech. They work
For truth and for money. They are contingent ...
They talk and talk ... they are, in the words
Of a lute-player I met once who despised them,
“Into machines” ... all true of all, so that it seems
That “psychiatrist” is a synonym for “human being,”
Even in their prosperity which is perhaps
Like their contingency merely more vivid than that
Of lutanists, opticians, poets—all into
Truth, into music, into yearning, suffering,
Into elegant machines and luxuries, with caroling
And kisses, with soft rich cloth and polished
Substances, with cash, tennis and fine electronics,
Liberty of lush and reverend places—goods
And money in their contingency and spiritual
Grace evoke the way we are all psychiatrists,
All fumbling at so many millions of miles
Per minute and so many dollars per hour
Through the exploding or collapsing spaces
Between stars, saying what we can.
from: Sadness and Happiness. Copyright 1975.
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