Showing posts with label Heather McHugh. Show all posts
Showing posts with label Heather McHugh. Show all posts

Monday, May 3, 2010

O Little Root of a Dream

by Paul Celan
Translated by Heather McHugh and Nikolai Popov

O little root of a dream
you hold me here
undermined by blood,
no longer visible to anyone,
property of death.

Curve a face
that there may be speech, of earth,
of ardor, of
things with eyes, even
here, where you read me blind,

even
here,
where you
refute me,
to the letter.

horizontal abstracted pictire of strip of ornamental grasses

from: The Griffin Poetry Prize Anthology: Selections from the 2001 Shortlist, published by House of Anansi Press.

Saturday, November 28, 2009

I LOVE POETRY THAT MAKES THE WORDS, AND THE READER, WORK.

Here are two from . . . 


“My whole work is to catch the word by surprise, sneaking up on language, sneaking up on the world as it lurks in words,” McHugh said. “I love the recesses of reason. That’s a great place to set my mind at rest.”

Etymological Dirge       

'Twas grace that taught my heart to fear.
Calm comes from burning.
Tall comes from fast.
Comely doesn't come from come.
Person comes from mask.

The kin of charity is whore,
the root of charity is dear.
Incentive has its source in song
and winning in the sufferer.

Afford yourself what you can carry out.
A coward and a coda share a word.
We get our ugliness from fear.
We get our danger from the lord.



Ghazal of the Better-Unbegun       

A book is a suicide postponed.
 --Cioran
Too volatile, am I?  too voluble?  too much a word-person?
I blame the soup:  I'm a primordially
stirred person.

Two pronouns and a vehicle was Icarus with wings.
The apparatus of his selves made an ab-
surd person.

The sound I make is sympathy's:  sad dogs are tied afar.
But howling I become an ever more un-
heard person.

I need a hundred more of you to make a likelihood.
The mirror's not convincing-- that at-best in-
ferred person.

As time's revealing gets revolting, I start looking out.
Look in and what you see is one unholy
blurred person.

The only cure for birth one doesn't love to contemplate.
Better to be an unsung song, an unoc-
curred person.

McHugh, you'll be the death of me -- each self and second studied!
Addressing you like this, I'm halfway to the
third person.

Sunday, October 25, 2009

THE VERY BEST AMONG US ARE SO OFTEN THE LEAST ESTEEMED

What He Thought
- Heather McHugh


We were supposed to do a job in Italy
and, full of our feeling for
ourselves (our sense of being
Poets from America) we went
from Rome to Fano, met
the Mayor, mulled a couple
matters over. The Italian literati seemed
bewildered by the language of America: they asked us
what does "flat drink" mean? and the mysterious
"cheap date" (no explanation lessened
this one's mystery). Among Italian writers we

could recognize our counterparts: the academic,
the apologist, the arrogant, the amorous,
the brazen and the glib. And there was one
administrator (The Conservative), in suit
of regulation gray, who like a good tour guide
with measured pace and uninflected tone
narrated sights and histories
the hired van hauled us past.
Of all he was most politic--
and least poetic-- so
it seemed. Our last
few days in Rome
I found a book of poems this
unprepossessing one had written: it was there
in the pensione room (a room he'd recommended)
where it must have been abandoned by
the German visitor (was there a bus of them?) to whom
he had inscribed and dated it a month before. I couldn't
read Italian either, so I put the book
back in the wardrobe's dark. We last Americans

were due to leave
tomorrow. For our parting evening then
our host chose something in a family restaurant,
and there we sat and chatted, sat and chewed, till,
sensible it was our last big chance to be Poetic, make
our mark, one of us asked

"What's poetry?
Is it the fruits and vegetables
and marketplace at Campo dei Fiori

or the statue there?" Because I was
the glib one, I identified the answer
instantly, I didn't have to think-- "The truth
is both, it's both!" I blurted out. But that
was easy. That was easiest
to say. What followed taught me something
about difficulty,

for our underestimated host spoke out
all of a sudden, with a rising passion, and he said:

The statue represents
Giordano Bruno, brought
to be burned in the public square
because of his offence against authority, which was to say
the Church. His crime was his belief
the universe does not revolve around
the human being: God is no
fixed point or central government
but rather is poured in waves, through
all things: all things
move. "If God is not the soul itself,
he is the soul OF THE SOUL of the world." Such was
his heresy. The day they brought him forth to die

they feared he might incite the crowd (the man
was famous for his eloquence). And so his captors
placed upon his face
an iron mask
in which he could not speak.

That is how they burned him.
That is how he died,
without a word,
in front of everyone. And poetry--

(we'd all put down our forks by now, to listen to
the man in gray; he went on softly)-- poetry

is what he thought, but did not say.