Election Day

- J. D. McClatchy

The older couples had voted just after dawn,
And by noon the exit polls are underway.
Some talking head opines in San Jose.
My poster is mute and silent on the lawn.

“As the wind blows, so the flag will wave,”
Says a cynic who is nevertheless waiting in line.
The woman in front of him has been assigned
The nearest booth where she plans, again, to save

The Republic from itself — the drama played out
In this miniature theater, with its curtain and cast.
Today will be a performance of the past,
Its fortunes and flaws, its certainty and doubt.

The pencil has no eraser. She makes her choice,
Determined but still uncertain how it will end,
As the Founders were as well who thought to lend
So much importance to each small impassioned voice.

But will the cynic’s vote now cancel hers?
She stays behind to watch him enter the booth.
(In our democracy, we think “the truth”
Is what everyone, regardless, secretly prefers.)

She won’t know anything but threats and trends
Until, again in the dark, but midnight’s now,
She can sense what hope the numbers will allow,
And what you get when you smear or overspend.

She will sit and stare at charts on CNN.
(But aren’t we redeemed by what they cannot show?
The struggle in each restless heart to know
The terms on which the nation’s fate depends.)

She will think how, at last, millions have spoken as one,
That freedom requires an open mind and hand,
And the strength to be forgiven and understand,
And that tomorrow morning it has all just begun.


from: page A35 of the Nov. 4, 2008 New York Times.

A Winter Without Snow

- J. D. McClatchy

Even the sky here in Connecticut has it,
That wry look of accomplished conspiracy,
The look of those who've gotten away

With a petty but regular white collar crime.
When I pick up my shirts at the laundry,
A black woman, putting down her Daily News,

Wonders why and how much longer our luck
Will hold. "Months now and no kiss of the witch."
The whole state overcast with such particulars.

For Emerson, a century ago and farther north,
Where the country has an ode's jagged edges,
It was "frolic architecture." Frozen blue-

Print of extravagance, shapes of a shared life
Left knee-deep in transcendental drifts:
The isolate forms of snow are its hardest fact.

Down here, the plain tercets of provision do,
Their picket snow-fence peeling, gritty,
Holding nothing back, nothing in, nothing at all.

Down here, we've come to prefer the raw material
Of everyday and this year have kept an eye
On it, shriveling but still recognizable--

A sight that disappoints even as it adds
A clearing second guess to winter. It's
As if, in the third year of a "relocation"

To a promising notch way out on the Sunbelt,
You've grown used to the prefab housing,
The quick turnover in neighbors, the constant

Smell of factory smoke--like Plato's cave,
You sometimes think--and the stumpy trees
That summer slighted and winter just ignores,

And all the snow that never falls is now
Back home and mixed up with other piercing
Memories of childhood days you were kept in

With a Negro schoolmate, of later storms
Through which you drove and drove for hours
Without ever seeing where you were going.

Or as if you've cheated on a cold sickly wife.
Not in some overheated turnpike motel room
With an old flame, herself the mother of two,

Who looks steamy in summer-weight slacks
And a parrot-green pullover. Not her.
Not anyone. But every day after lunch

You go off by yourself, deep in a brown study,
Not doing much of anything for an hour or two,
Just staring out the window, or at a patch

On the wall where a picture had hung for ages,
A woman with planets in her hair, the gravity
Of perfection in her features--oh! her hair

The lengthening shadow of the galaxy's sweep.
As a young man you used to stand outside
On warm nights and watch her through the trees.

You remember how she disappeared in winter,
Obscured by snow that fell blindly on the heart,
On the house, on a world of possibilities.

Must History Continue to Repeat Itself?

Families in the Pakistani city of Karachi have buried their dead after a fire engulfed a garment factory with workers trapped inside, killing at least 264 people.

Please spare a thought for the victims and their loved ones in this devastating time.

SHIRT

-  Robert Pinsky

The back, the yoke, the yardage. Lapped seams,
The nearly invisible stitches along the collar
Turned in a sweatshop by Koreans or Malaysians

Gossiping over tea and noodles on their break
Or talking money or politics while one fitted
This armpiece with its overseam to the band

Of cuff I button at my wrist. The presser, the cutter,
The wringer, the mangle. The needle, the union,
The treadle, the bobbin. The code. The infamous blaze

At the Triangle Factory in nineteen-eleven.
One hundred and forty-six died in the flames
On the ninth floor, no hydrants, no fire escapes--

The witness in a building across the street
Who watched how a young man helped a girl to step
Up to the windowsill, then held her out

Away from the masonry wall and let her drop.
And then another. As if he were helping them up
To enter a streetcar, and not eternity.

A third before he dropped her put her arms
Around his neck and kissed him. Then he held
Her into space, and dropped her. Almost at once

He stepped up to the sill himself, his jacket flared
And fluttered up from his shirt as he came down,
Air filling up the legs of his gray trousers--

Like Hart Crane's Bedlamite, "shrill shirt ballooning."
Wonderful how the patern matches perfectly
Across the placket and over the twin bar-tacked

Corners of both pockets, like a strict rhyme
Or a major chord. Prints, plaids, checks,
Houndstooth, Tattersall, Madras. The clan tartans

Invented by mill-owners inspired by the hoax of Ossian,
To control their savage Scottish workers, tamed
By a fabricated heraldry: MacGregor,

Bailey, MacMartin. The kilt, devised for workers
to wear among the dusty clattering looms.
Weavers, carders, spinners. The loader,

The docker, the navvy. The planter, the picker, the sorter
Sweating at her machine in a litter of cotton
As slaves in calico headrags sweated in fields:

George Herbert, your descendant is a Black
Lady in South Carolina, her name is Irma
And she inspected my shirt. Its color and fit

And feel and its clean smell have satisfied
both her and me. We have culled its cost and quality
Down to the buttons of simulated bone,

The buttonholes, the sizing, the facing, the characters
Printed in black on neckband and tail. The shape,
The label, the labor, the color, the shade. The shirt.

SOMETHING ELSE TO THINK ABOUT:

In a wonderful set piece called "Shirt," Pinsky broods over his purchase of a shirt. The technical terms for shirt-making in their turn evoke Korean sweatshops, the Triangle Factory fire, Scottish mills, and a black South Carolina shirt "inspector" named Irma, along with planters and pickers and sorters, weavers, carders, and loaders. 

By the end of the poem, the plain sportshirt has become a mythological shirt of flame, a history laid on the poet’s back.

- J.D. McClatchy, New Republic.

We are use to having a vast selection of consumer goods at low prices, but we are insulated from the real prices of the things we buy. 

Our industries send our jobs overseas because the labor is cheaper. The labor is cheaper because those workers do not have the protections afforded our own workers. Without those protections these workers often subsidize our purchases with their very lives.

A Winter Without Snow

    by J. D. McClatchy

Even the sky here in Connecticut has it,
That wry look of accomplished conspiracy,
The look of those who've gotten away

With a petty but regular white collar crime.
When I pick up my shirts at the laundry,
A black woman, putting down her Daily News,

Wonders why and how much longer our luck
Will hold.  "Months now and no kiss of the witch."
The whole state overcast with such particulars.

For Emerson, a century ago and farther north,
Where the country has an ode's jagged edges,
It was "frolic architecture."  Frozen blue-

Print of extravagance, shapes of a shared life
Left knee-deep in transcendental drifts:
The isolate forms of snow are its hardest fact.

Down here, the plain tercets of provision do,
Their picket snow-fence peeling, gritty,
Holding nothing back, nothing in, nothing at all.

Down here, we've come to prefer the raw material
Of everyday and this year have kept an eye
On it, shriveling but still recognizable--

A sight that disappoints even as it adds
A clearing second guess to winter.  It's
As if, in the third year of a "relocation"

To a promising notch way out on the Sunbelt,
You've grown used to the prefab housing,
The quick turnover in neighbors, the constant

Smell of factory smoke--like Plato's cave,
You sometimes think--and the stumpy trees
That summer slighted and winter just ignores,

And all the snow that never falls is now
Back home and mixed up with other piercing
Memories of childhood days you were kept in

With a Negro schoolmate, of later storms
Through which you drove and drove for hours
Without ever seeing where you were going.

Or as if you've cheated on a cold sickly wife.
Not in some overheated turnpike motel room
With an old flame, herself the mother of two,

Who looks steamy in summer-weight slacks
And a parrot-green pullover.  Not her.
Not anyone.  But every day after lunch

You go off by yourself, deep in a brown study,
Not doing much of anything for an hour or two,
Just staring out the window, or at a patch

On the wall where a picture had hung for ages,
A woman with planets in her hair, the gravity
Of perfection in her features--oh! her hair

The lengthening shadow of the galaxy's sweep.
As a young man you used to stand outside
On warm nights and watch her through the trees.

You remember how she disappeared in winter,
Obscured by snow that fell blindly on the heart,
On the house, on a world of possibilities.