- Ruth Stone
You have rented an apartment.
You come to this enclosure with physical relief,
your heavy body climbing the stairs in the dark,
the hall bulb burned out, the landlord
of Greek extraction and possibly a fatalist.
In the apartment leaning against one wall,
your daughter's painting of a large frilled cabbage
against a dark sky with pinpoints of stars.
The eager vegetable, opening itself
as if to eat the air, or speak in cabbage
language of the meanings within meanings;
while the points of stars hide their massive
violence in the dark upper half of the painting.
You can live with this.
from: In the Next Galaxy. Copyright 2004.
Showing posts with label Ruth Stone. Show all posts
Showing posts with label Ruth Stone. Show all posts
Friday, May 23, 2014
Sunday, November 3, 2013
Lines
- Ruth Stone
Voice, perhaps you are the universe,
the hum of spiders.
If on the mountain a single bear
comes into the orchard;
much less, the husk of a locust
drops from the currant bush;
or the wind rattles a loose clapboard,
exchanging one skin for another—
it is the self longing to cross the barrier.
Sensing the visitors who hide among us,
the air enters and takes away.
Sharp as the odor of fresh sawdust,
the color of lost rooms,
those erotic odors, angst of brevity;
like crossing your thighs
in a spasm of loneliness.
Voice, perhaps you are the universe,
the hum of spiders.
If on the mountain a single bear
comes into the orchard;
much less, the husk of a locust
drops from the currant bush;
or the wind rattles a loose clapboard,
exchanging one skin for another—
it is the self longing to cross the barrier.
Sensing the visitors who hide among us,
the air enters and takes away.
Sharp as the odor of fresh sawdust,
the color of lost rooms,
those erotic odors, angst of brevity;
like crossing your thighs
in a spasm of loneliness.
Saturday, October 22, 2011
Always on the Train
by Ruth Stone
Writing poems about writing poems
is like rolling bales of hay in Texas.
Nothing but the horizon to stop you.
But consider the railroad's edge of metal trash;
bird perches, miles of telephone wires.
What is so innocent as grazing cattle?
If you think about it, it turns into words.
Trash is so cheerful; flying up
like grasshoppers in front of the reaper.
The dust devil whirls it aloft; bronze candy wrappers,
squares of clear plastic--windows on a house of air.
Below the weedy edge in last year's mat,
red and silver beer cans.
In bits blown equally everywhere,
the gaiety of flying paper
and the black high flung patterns of flocking birds.
from: This Art: Poems on Poetry. Copyright 2003.
Thursday, April 22, 2010
GARDEN UPDATE
My poor husband, bless him, had to go back to work on Tuesday. He worked so unbelievably hard this weekend. Not only did he pick up the slack because of my limited abilities, but he told me that it would all be worth it, even if the garden wasn't successful, as long as I enjoyed it. Is it any wonder I've held on to him for ... almost 21 years?!

(not ours, sigh)
The Cabbage
by Ruth Stone
You have rented an apartment.
You come to this enclosure with physical relief,
your heavy body climbing the stairs in the dark,
the hall bulb burned out, the landlord
of Greek extraction and possibly a fatalist.
In the apartment leaning against one wall,
your daughter's painting of a large frilled cabbage
against a dark sky with pinpoints of stars.
The eager vegetable, opening itself
as if to eat the air, or speak in cabbage
language of the meanings within meanings;
while the points of stars hide their massive
violence in the dark upper half of the painting.
You can live with this.
from: In the Next Galaxy by Ruth Stone. Copyright 2004 Ruth Stone.
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