Showing posts with label Save America With Poetry. Show all posts
Showing posts with label Save America With Poetry. Show all posts

Sunday, August 18, 2013

Save America With Poetry! Day Twenty.


What all Tony Hoagland's poetry choices have in common is that (among other things) they foster critical thinking, make us think of others, and their themes are applicable far beyond themselves.

Do you have any poems that you feel fit Tony's criteria? 

Can they spread themselves out into society, like a healing balm, healing pain or bringing understanding?

If you have any suggestions, 
please share them In the comments. 
I would love to see what touches your hearts and minds.

Our Dust
- C D Wright

I am your ancestor. You know next-to-nothing about me.

There is no reason for you to imagine the rooms I occupied or my heavy hair. Not the faint vinegar smell of me. Or the rubbered damp of Forrest and I coupling on the landing en route to our detached day.

You didn't know my weariness, error, incapacity. I was the poet

Most Recent Book: Further Adventures with You (Carnegie Mellon University Press, 1986)

of shadow work and towns with quarter-inch phone books, of failed roadside zoos. The poet of yard eggs and sharpening shops, jobs at the weapons plant and the Mabelline factory on the penitentiary road.

A poet of spiderwort and jacks-in-the-pulpit, hollyhocks against the tool shed.

An unsmiling dark blond.

The one with the trowel in her handbag.

I dug up protected and private things.

That sort, I was.

My graves went undecorated and my churches abandoned. This wasn't planned, but practice.

I was the poet of short-tailed cats and yellow line paint.

Of satellite dishes and Peterbilt trucks. Red Man Chewing Tobacco, Black Cat Fireworks, Triple Hit Creme Soda. Also of dirt dobbers, nightcrawlers, martin houses, honey, and whetstones from the Novaculite Uplift. What remained of The Uplift.

I had registered dogs 4 sale; rocks, shit, and straw.

I was a poet of hummingbird hives along with redheaded stepbrothers.

The poet of good walking shoes—a necessity in vernacular parts—and push mowers. The rumor that I was once seen sleeping in a refrigerator box is false (he was a brother who hated me).

Nor was I the one lunching at the Governor's mansion.

I didn't work off a grid. Or prime the surface if I could get off without it. I made simple music out of sticks and string. On side B of me, experimental guitar, night repairs and suppers such as this.

You could count on me to make a bad situation worse like putting liquid make-up over a passion mark.

I never raised your rent. Or anyone else's by God. Never said I loved you. The future gave me chills. I used the medium to say: Arise arise and come together.

Free your children. Come on everybody. Let's start with Baltimore.

Believe me I am not being modest when I admit my life doesn't bear repeating. I agreed to be the poet of one life, one death alone. I have seen myself in the black car. I have seen the retreat of the black car.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Saturday, August 17, 2013

Save America With Poetry! Day Nineteen.



This one sure reminds me of some of my college classes.

Occasionally, we concentrate on details and forget to appreciate the beauty around us.




When I Heard the Learn’d Astronomer 
- Walt Whitman
When I heard the learn’d astronomer,
When the proofs, the figures, were ranged in columns before me,
When I was shown the charts and diagrams, to add, divide, and measure them,
When I sitting heard the astronomer where he lectured with much applause in the lecture-room,
How soon unaccountable I became tired and sick,
Till rising and gliding out I wander’d off by myself,
In the mystical moist night-air, and from time to time,
Look’d up in perfect silence at the stars.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Friday, August 16, 2013

Save America With Poetry! Day Eighteen.



Sometimes a little sacrifice is necessary
 to forestall a greater one.

In my experience -

too often used as a justification by those who have
 to justify taking from those who don't.





Traveling through the Dark 
- William E. Stafford

Traveling through the dark I found a deer
dead on the edge of the Wilson River road.
It is usually best to roll them into the canyon:
that road is narrow; to swerve might make more dead.

By glow of the tail-light I stumbled back of the car   
and stood by the heap, a doe, a recent killing;   
she had stiffened already, almost cold.
I dragged her off; she was large in the belly.

My fingers touching her side brought me the reason—
her side was warm; her fawn lay there waiting,   
alive, still, never to be born.
Beside that mountain road I hesitated.

The car aimed ahead its lowered parking lights;   
under the hood purred the steady engine.
I stood in the glare of the warm exhaust turning red;   
around our group I could hear the wilderness listen.

I thought hard for us all—my only swerving—,   
then pushed her over the edge into the river.


from: The Way It Is: New and Selected Poems, Copyright 1998.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Thursday, August 15, 2013

Save America With Poetry! Day Seventeen.





Voices echo down through the ages
connecting us to all those who have gone before -
if only we listen.




I don't have this one,
and I could not find the text online anywhere,
but I did find a link to Tony Hoagland, himself, reading:

                      Song of Speaks-Fluently
                                                                             by Speaks-Fluently      

Just click on the poem's title and be magically whisked to the site.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Wednesday, August 14, 2013

Save America With Poetry! Day Sixteen.



Are artificial geraniums any more of a disappointment
 than a semi-clean cafe?

Isn't it okay sometimes
 to enjoy things that are less than perfection?



The Geraniums
- Genevieve Taggard

Even if the geraniums are artificial
Just the same,
In the rear of the Italian cafe
Under the nimbus of electric light
They are red; no less red
For how they were made. Above
The mirror and the napkins
In the little white pots ...
... In the semi-clean cafe
Where they have good
Lasagne ... The red is a wonderful joy
Really, and so are the people
Who like and ignore it. In this place
They also have good bread.

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Tuesday, August 13, 2013

Save America With Poetry! Day Fifteen.



It is classic American,
 speech, thoughts, worries, vision -
 via Jamaica and Russia.

So what does it really mean?


American Classic
- Louis Simpson

It's a classic American scene--
a car stopped off the road
and a man trying to repair it.

The woman who stays in the car
in the classic American scene
stares back at the freeway traffic.

They looked suprised, and ashamed
to be so helpless. . .
let down in the middle of the road!

To think their car would do this!
They look like mountain people
whoes son has gone against the law.

But every night they set out food
and the robber goes skulking back to the trees.
That's how it is with the car. . .

it's theirs, they're stuck with it.
Now they know what it's like to sit
and see the world go whizzing by.

In the fume of carbon monoxide and dust
they are not such good Americans
as they thought they were.

The feeling of being left out
through no falt of your own, is common.
That's why I say, an American classic.

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Monday, August 12, 2013

Save America With Poetry! Day Fourteen.




This is the story, not of a hero ending in tragedy,
 but rather the struggle of the one left behind
 and what s/he endures as s/he awaits his return.

So many wait in silence, grieve in silence,
 and alone.

Does knowing the truth make a difference?


Waiting for Icarus
He said he would be back and we'd drink wine together
He said that everything would be better than before
He said we were on the edge of a new relation
He said he would never again cringe before his father
He said that he was going to invent full-time
He said he loved me that going into me
He said was going into the world and the sky
He said all the buckles were very firm
He said the wax was the best wax
He said Wait for me here on the beach
He said Just don't cry

I remember the gulls and the waves
I remember the islands going dark on the sea
I remember the girls laughing
I remember they said he only wanted to get away from me
I remember mother saying: Inventors are like poets, a trashy lot
I remember she told me those who try out inventions are worse
I remember she added: Women who love such are the worst of all
I have been waiting all day, or perhaps longer.
I would have liked to try those wings myself.
It would have been better than this.

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Sunday, August 11, 2013

Save America With Poetry! Day Thirteen.


Language has power to shape the world's realities.

What is truth? Can we create our own? Or just the perception of truth?

Or does it really matter?

"What are you going to believe: what you are told, or your lying eyes?"


Ballad of Orange and Grape
- Muriel Rukeyser

After you finish your work
after you do your day
after you've read your reading
after you've written your say —
you go down the street to the hot dog stand,
one block down and across the way.
On a blistering afternoon in East Harlem in the twentieth century.

Most of the windows are boarded up,
the rats run out of a sack —
sticking out of the crummy garage
one shiny long Cadillac;
at the glass door of the drug-addiction center,
a man who'd like to break your back.
But here's a brown woman with a little girl dressed in rose and pink, too.

Frankfurters, frankfurters sizzle on the steel
where the hot-dog-man leans —
nothing else on the counter
but the usual two machines,
the grape one, empty, and the orange one, empty,
I face him in between.
A black boy comes along, looks at the hot dogs, goes on walking.

I watch the man as he stands and pours
in the familiar shape
bright purple in the one marked ORANGE
orange in the one marked GRAPE,
the grape drink in the machine marked ORANGE
and orange drink in the GRAPE.
Just the one word large and clear, unmistakable, on each machine.

I ask him: How can we go on reading
and make sense out of what we read? —
How can they write and believe what they're writing,
the young ones across the street,
while you go on pouring grape into ORANGE
and orange into the one marked GRAPE —?
(How are we going to believe what we read and what we write and we hear and we say and we do?)

He looks at the two machines and he smiles
and he shrugs and smiles and pours again.
It could be violence and nonviolence
it could be white and black      women and men
it could be war and peace or any
binary system, love and hate, enemy, friend.
Yes and no, be and not-be, what we do and what we don't do.

On a corner in East Harlem
garbage, reading, a deep smile, rape,
forgetfulness, a hot street of murder,
misery, withered hope,
a man keeps pouring grape into ORANGE
and orange into the one marked GRAPE,
pouring orange into GRAPE and grape into ORANGE forever.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Thursday, August 8, 2013

Save America With Poetry! Day Ten.



We don't have to be the best.

Just do what we love best.




Wild Geese
- Mary Oliver

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
       love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting-
over and over announcing your place
in the family of things.



Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Wednesday, August 7, 2013

Save America With Poetry! Day Nine.


There are whole swaths of this country, I think, where this poem would be, if not against the law, severely frowned upon.

Except, perhaps in: Intercourse, PA; Climax, MI; Wet Beaver Creek, AZ; Virginville, PA.; . . .

Well, not that last one, maybe.

It beckons us to relax and give in to the pleasure
 of the extended metaphor.


Topography
- Sharon Olds 

After we flew across the country we
got in bed, laid our bodies
delicately together, like maps laid
face to face, East to West, my
San Francisco against your New York, your
Fire Island against my Sonoma, my
New Orleans deep in your Texas, your Idaho
bright on my Great Lakes, my Kansas
burning against your Kansas your Kansas
burning against my Kansas, your Eastern
Standard Time pressing into my
Pacific Time, my Mountain Time
beating against your Central Time, your
sun rising swiftly from the right my
sun rising swiftly from the left your
moon rising slowly form the left my
moon rising slowly form the right until
all four bodies of the sky
burn above us, sealing us together,
all our cities twin cities,
all our states united, one
nation, indivisible, with liberty and justice for all.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Tuesday, August 6, 2013

Save America With Poetry! Day Eight.


We hear rumors - stories from a friend of the brother of our cousin's ex in-laws. Best to steer clear of those people.

Don't look. Don't listen. We might catch something.

 Might . . . understand.

Can't have that.


Black People & White People Were Said
- Kerry Johannsen

to disappear if we looked at
each other too long
especially the young ones —
especially growing boys & girls
the length of a gaze was
watched sidewise
as a kingsnake
eyeing a copperhead while hands
of mothers and fathers gently
tugged their children close
white people & black people were said to
disappear if but nobody ever said it
loud nobody said it
at all & nobody ever
talked about where
the ones who didn’t listen
went


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Monday, August 5, 2013

Save America With Poetry! Day Seven.




As a child (or let's face it, even as an adult)
 recovering from an illness can leave us with our imaginations
 as taxed and worn as our bodies.

Can something,
 somewhere,
 jump start our sense of wonder? Please!



A Sick Child- Randall Jarrell

The postman comes when I am still in bed.
"Postman, what do you have for me today?"
I say to him. (But really I'm in bed.)
Then he says - what shall I have him say?

"This letter says that you are president
Of - this word here; it's a republic."
Tell them I can't answer right away.
"It's your duty." No, I'd rather just be sick.

Then he tells me there are letters saying everything
That I can think of that I want for them to say.
I say, "Well, thank you very much. Good-bye."
He is ashamed, and turns and walks away.

If I can think of it, it isn't what I want.
I want . . . I want a ship from some near star
To land in the yard, and beings to come out
And think to me: "So this is where you are!

Come." Except that they won't do,
I thought of them. . . . And yet somewhere there must be
Something that's different from everything.
All that I've never thought of - think of me!


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Sunday, August 4, 2013

Save America With Poetry! Day Six.



     Alone. Together.


How many times have we thought we were the only
 one to have a certain thought, or experience?
 No one else could possibly understand.

Look around. Really look. And then . . .

 We're all alone - together.


Bamboo and a Bird
- Linda Gregg

In the subway late at night.
Waiting for the downtown train
at Forty-Second Street.
Walking back and forth
on the platform.
Too tired to give money.
Staring at the magazine covers
in the kiosk. Someone passes me
from behind, wearing an orange vest
and dragging a black hose.
A car stops and the doors open.
All the faces are plain.
It makes me happy to be
among these people
who leave empty seats
between each other.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Saturday, August 3, 2013

Save America With Poetry! Day Five.



Some would say that you can't both love America
 and criticize it.

But we point out to our children the things that they do wrong so that they might learn, that they might become the wonderful people we know they can be?

 Do we not still love them?



America
- Allen Ginsberg

America I've given you all and now I'm nothing.
America two dollars and twenty-seven cents January 17, 1956.
I can't stand my own mind.
America when will we end the human war?
Go fuck yourself with your atom bomb
I don't feel good don't bother me.
I won't write my poem till I'm in my right mind.
America when will you be angelic?
When will you take off your clothes?
When will you look at yourself through the grave?
When will you be worthy of your million Trotskyites?
America why are your libraries full of tears?
America when will you send your eggs to India?
I'm sick of your insane demands.
When can I go into the supermarket and buy what I need with my good looks?
America after all it is you and I who are perfect not the next world.
Your machinery is too much for me.
You made me want to be a saint.
There must be some other way to settle this argument.
Burroughs is in Tangiers I don't think he'll come back it's sinister.
Are you being sinister or is this some form of practical joke?
I'm trying to come to the point.
I refuse to give up my obsession.
America stop pushing I know what I'm doing.
America the plum blossoms are falling.
I haven't read the newspapers for months, everyday somebody goes on trial for
murder.
America I feel sentimental about the Wobblies.
America I used to be a communist when I was a kid and I'm not sorry.
I smoke marijuana every chance I get.
I sit in my house for days on end and stare at the roses in the closet.
When I go to Chinatown I get drunk and never get laid.
My mind is made up there's going to be trouble.
You should have seen me reading Marx.
My psychoanalyst thinks I'm perfectly right.
I won't say the Lord's Prayer.
I have mystical visions and cosmic vibrations.
America I still haven't told you what you did to Uncle Max after he came over
from Russia.
I'm addressing you.
Are you going to let our emotional life be run by Time Magazine?
I'm obsessed by Time Magazine.
I read it every week.
Its cover stares at me every time I slink past the corner candystore.
I read it in the basement of the Berkeley Public Library.
It's always telling me about responsibility. Businessmen are serious. Movie
producers are serious. Everybody's serious but me.
It occurs to me that I am America.
I am talking to myself again.
Asia is rising against me.
I haven't got a chinaman's chance.
I'd better consider my national resources.
My national resources consist of two joints of marijuana millions of genitals
an unpublishable private literature that goes 1400 miles and hour and
twentyfivethousand mental institutions.
I say nothing about my prisons nor the millions of underpriviliged who live in
my flowerpots under the light of five hundred suns.
I have abolished the whorehouses of France, Tangiers is the next to go.
My ambition is to be President despite the fact that I'm a Catholic.
America how can I write a holy litany in your silly mood?
I will continue like Henry Ford my strophes are as individual as his
automobiles more so they're all different sexes
America I will sell you strophes $2500 apiece $500 down on your old strophe
America free Tom Mooney
America save the Spanish Loyalists
America Sacco & Vanzetti must not die
America I am the Scottsboro boys.
America when I was seven momma took me to Communist Cell meetings they
sold us garbanzos a handful per ticket a ticket costs a nickel and the
speeches were free everybody was angelic and sentimental about the
workers it was all so sincere you have no idea what a good thing the party
was in 1835 Scott Nearing was a grand old man a real mensch Mother
Bloor made me cry I once saw Israel Amter plain. Everybody must have
been a spy.
America you don're really want to go to war.
America it's them bad Russians.
Them Russians them Russians and them Chinamen. And them Russians.
The Russia wants to eat us alive. The Russia's power mad. She wants to take
our cars from out our garages.
Her wants to grab Chicago. Her needs a Red Reader's Digest. her wants our
auto plants in Siberia. Him big bureaucracy running our fillingstations.
That no good. Ugh. Him makes Indians learn read. Him need big black niggers.
Hah. Her make us all work sixteen hours a day. Help.
America this is quite serious.
America this is the impression I get from looking in the television set.
America is this correct?
I'd better get right down to the job.
It's true I don't want to join the Army or turn lathes in precision parts
factories, I'm nearsighted and psychopathic anyway.
America I'm putting my queer shoulder to the wheel.

from: Collected Poems 1947-1980, Copyright 1984.

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Friday, August 2, 2013

Save America With Poetry! Day Four.




Despite all the supposed differences and difficulties
 between men and women,
 twisted and exaggerated endlessly,

for better or worse,
 we continue to find one another.




A Man and A Woman

Between a man and a woman
The anger is greater, for each man would like to sleep
In the arms of each woman who would like to sleep
In the arms of each man, if she trusted him
Not to be schizophrenic, if he trusted her not to be
A hypochondriac, if she trusted him not to leave her
Too soon, if he trusted her not to hold him
Too long, and often women stare at the word men
As it lives in the word women, as if each woman
Had a man inside her and a woe, and has
Crying fits that last for days, not like the crying
Of a man, which lasts a few seconds, and rips the throat
Like a claw––but because the pain differs,
Much as the shape of the body, the woman takes
The suffering of the man for helplessness, the woman’s lack of it
For hardness, the man’s tenderness for deception,
The woman’s lack of acceptance, an act of contempt
Which is really fear, the man’s fear for fickleness,
Yet cars come off the bridge in rivers of light
Each holding a man and a woman.

from: The Happy Genius

Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Thursday, August 1, 2013

Save America With Poetry! Day Three.




Are the memories we hold onto a matter of choice? 
Do we erase those that threaten our ability to function,
 bury them deep and deny they ever happened?

Cruelty and hurt stand out sharply in the voids of this poem, with the impact of a hand across the face.



memory
- Lucille Clifton

ask me to tell how it feels
remembering your mother’s face
turned to water under the white words
of the man at the shoe store. ask me,
though she tells it better than i do,
not because of her charm
but because it never happened
she says,
no bully salesman swaggering,
no rage, no shame, none of it
ever happened.
i only remember buying you
your first grown up shoes
she smiles. ask me
how it feels.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Wednesday, July 31, 2013

Save America With Poetry! Day Two.


And the campaign continues with . . . 
well it could be a credible explanation for the state of the world; an easily distracted creator simply forgot to give the world justice.

We don't choose to deny it to the weak and vulnerable among us. Right?

One of the reasons totalitarian regimes come after poets in the beginning of their reigns of terror and generally refuse to let up, is that poets force us to look at the uncomfortable and ugly truths we like to keep hidden.


God’s Justice
 - Anne Carson

In the beginning there were days set aside for various tasks.
On the day He was to create justice
God got involved in making a dragonfly

and lost track of time.
It was about two inches long
with turquoise dots all down its back like Lauren Bacall.

God watched it bend its tiny wire elbows
as it set about cleaning the transparent case of its head.
The eye globes mounted on the case

rotated this way and that
as it polished every angle.
Inside the case

which was glassy black like the windows of a downtown bank
God could see the machinery humming
and He watched the hum

travel all the way down turquoise dots to the end of the tail
and breathe off as light.
Its black wings vibrated in and out.


from: Glass, Irony and God.


Imagining a renewed role for poetry in the national discourse, and a new canon.
by Tony Hoagland.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright

Tuesday, July 30, 2013

Save America With Poetry Campaign! Day One.


Imagining a renewed role for poetry in the national discourse, and a new canon.

by Tony Hoagland.
If anthologies were structured to represent the way that most of us actually learn, they would begin in the present and “progress” into the past. I read Lawrence Ferlinghetti before I read D. H. Lawrence before I read Thomas Wyatt. Once the literate appetite is whetted, it will keep turning to new tastes. A reader who first falls in love with Billy Collins or Mary Oliver is likely then to drift into an anthology that includes Emily Dickinson and Thomas Hardy.

The second part of the fix is rather more complicated: in addition to rebooting the American poetic canon as a whole, we must establish a kind of national core curriculum, a set of poems held in common by our students and so by our citizens. In the spirit of boosterism, I have selected twenty works I believe worthy of inclusion in this curriculum — works I believe could empower us with a common vocabulary of stories, values, points of reference. The brief explications and justifications I offer for nine of these poems are not meant to foreclose the interpretive possibilities that are part of a good poem’s life force. Rather, I hope they will point to areas worthy of cultivation in that mysterious inner space, the American mind. ...
I am only waiting for the president to give me the go ahead. Perhaps twenty other experienced readers of poetry might come up with twenty other lists of poems that might similarly serve, poems that could be smuggled into twenty-first-century life as amulets and beatitudes to guide, map, empower, and console.
(Well worth reading; 
just click on the title to be magically whisked to the article's internet realm.)


What do you think? Can poetry save America? In a time when our elected representatives work against our best interests,  our press is more interested in sensationalism than elucidation, and we turn on each other in our fear and frustration . . . can poetry save us?

black kitten on green grass with small American flag
I've decided to do two things (poetically speaking, that is). I am posting one of Mr. Hoagland's poems daily, beginning with today. 

Call it my Save America With Poetry Campaign!

If you happen by, take a moment and tell me what the poem says to you and if you think it could contribute changing society and saving America - or even the world. (There is also the argument to be made that America doesn't need saving, but everyone needs a little help now and then, right?)

I am also giving serious thought to which poems I think belong in such an anthology. If poetry could save America, which ones and why? And at the end of this little exercise I will post my own list. If you have any suggestions I will post yours as well (with due credit, of course). It would be so interesting find out which poems you all feel would be most influential. 

First up is a poem by a poet who was no stranger to censorship, persecution, and grief: Anna Akhmatova, widely regarded as one of Russia's greatest poets. She pulls no punches.

Twenty-First. Night. Monday

Twenty-first. Night. Monday.
Silhouette of the capitol in darkness.
Some good-for-nothing -- who knows why--
made up the tale that love exists on earth.

People believe it, maybe from laziness
or boredom, and live accordingly:
they wait eagerly for meetings, fear parting,
and when they sing, they sing about love.

But the secret reveals itself to some,
and on them silence settles down...
I found this out by accident
and now it seems I'm sick all the time.

Here are TONY HOAGLAND’S twenty poems: Twenty-First. Night. Monday., by Anna Akhmatova God’s Justice, by Anne Carson memory, by Lucille Clifton A Man and a Woman, by Alan Feldman America, by Allen Ginsberg Bamboo and a Bird, by Linda Gregg A Sick Child, by Randall Jarrell Black People & White People Were Said, by Kerry Johannsen Topography, by Sharon Olds Wild Geese, by Mary Oliver Written in Pencil in the Sealed Railway-Car, by Dan Pagis Merengue, by Mary Ruefle Ballad of Orange and Grape, by Muriel Rukeyser Waiting for Icarus, by Muriel Rukeyser American Classic, by Louis Simpson The Geraniums, by Genevieve Taggard Song of Speaks-Fluently, by Speaks-Fluently Traveling Through The Dark, by William Stafford When I Heard the Learn’d Astronomer, by Walt Whitman Our Dust, by C. D. Wright