My black face fades,
hiding inside the black granite.
I said I wouldn't,
dammit: No tears.
I'm stone. I'm flesh.
My clouded reflection eyes me
like a bird of prey, the profile of night
slanted against morning. I turn
this way--the stone lets me go.
I turn that way--I'm inside
the Vietnam Veterans Memorial
again, depending on the light
to make a difference.
I go down the 58,022 names,
half-expecting to find
my own in letters like smoke.
I touch the name Andrew Johnson;
I see the booby trap's white flash.
Names shimmer on a woman's blouse
but when she walks away
the names stay on the wall.
Brushstrokes flash, a red bird's
wings cutting across my stare.
The sky. A plane in the sky.
A white vet's image floats
closer to me, then his pale eyes
look through mine. I'm a window.
He's lost his right arm
inside the stone. In the black mirror
a woman's trying to erase names:
No, she's brushing a boy's hair.
Sunday, May 6, 2012
Facing It
by Yusef Komunyakaa
Saturday, May 5, 2012
O were my love yon Lilac fair
by Robert Burns
O were my love yon Lilac fair,
Wi' purple blossoms to the Spring,
And I, a bird to shelter there,
When wearied on my little wing!
How I wad mourn when it was torn
By Autumn wild, and Winter rude!
But I wad sing on wanton wing,
When youthfu' May its bloom renew'd.
O gin my love were yon red rose,
That grows upon the castle wa';
And I myself a drap o' dew,
Into her bonie breast to fa'!
O there, beyond expression blest,
I'd feast on beauty a' the night;
Seal'd on her silk-saft faulds to rest,
Till fley'd awa by Phoebus' light!
Labels:
O were my love yon Lilac fair,
Poetry,
Robert Burns
Friday, May 4, 2012
The Weary Blues
by Langston Hughes
Droning a drowsy syncopated tune, Rocking back and forth to a mellow croon, I heard a Negro play. Down on Lenox Avenue the other night By the pale dull pallor of an old gas light He did a lazy sway . . . He did a lazy sway . . . To the tune o' those Weary Blues. With his ebony hands on each ivory key He made that poor piano moan with melody. O Blues! Swaying to and fro on his rickety stool He played that sad raggy tune like a musical fool. Sweet Blues! Coming from a black man's soul. O Blues! In a deep song voice with a melancholy tone I heard that Negro sing, that old piano moan-- "Ain't got nobody in all this world, Ain't got nobody but ma self.I's gwine to quit ma frownin' And put ma troubles on the shelf." Thump, thump, thump, went his foot on the floor. He played a few chords then he sang some more-- "I got the Weary Blues And I can't be satisfied. Got the Weary Blues And can't be satisfied-- I ain't happy no mo' And I wish that I had died." And far into the night he crooned that tune. The stars went out and so did the moon. The singer stopped playing and went to bed While the Weary Blues echoed through his head. He slept like a rock or a man that's dead.
from The Collected Poems of Langston Hughes. Copyright 1994.
Photo: Harlem Blues and Jazz Band, via. C. Kurt Holter.
Thursday, May 3, 2012
Lullaby in Blue
by Betsy Sholl
The child takes her first journey
through the inner blue world of her mother's body,
blue veins, blue eyes, frail petal lids.
Beyond that unborn brackish world so deep
it will be felt forever as longing, a dream
of blue notes plucked from memory's guitar,
the wind blows indigo shadows under streetlights,
clouds crowd the moon and bear down on the limbs
of a blue spruce. The child's head appears—
midnight pond, weedy and glistening—
draws back, reluctant to leave that first home.
Blue catch in the mother's throat,
ferocious bruise of a growl, and out slides
the iridescent body—fish-slippery
in her father's hands, plucked from water
into such thin densities of air,
her arms and tiny hands stutter and flail,
till he places her on her mother's body,
then cuts the smoky cord, releasing her
into this world, its cold harbor below
where a blue caul of shrink-wrap covers
each boat gestating on the winter shore.
Child, the world comes in twos, above and below,
visible and unseen. Inside your mother's croon
there's the hum of an old man tapping his foot
on a porch floor, his instrument made from one
string nailed to a wall, as if anything
can be turned into song, always what is
and what is longed for. Against the window
the electric blue of cop lights signals
somebody's bad news, and a lone man walks
through the street, his guitar sealed in dark plush.
Child, from this world now you will draw your breath
and let out your moth flutter of blue sighs.
Now your mother will listen for each one,
alert enough to hear snow starting to flake
from the sky, bay water beginning to freeze.
Sleep now, little shadow, as your first world
still flickers across your face, that other side
where all was given and nothing desired.
Soon enough you'll want milk, want faces, hands,
heartbeats and voices singing in your ear.
Soon the world will amaze you, and you
will give back its bird-warble, its dove call,
singing that blue note which deepens the song,
that longing for what no one can recall,
your small night cry roused from the wholeness
you carry into this broken world.
from Rough Cradle. Copyright 2009.
Wednesday, May 2, 2012
Go Greyhound
by Bob Hicok
A few hours after Des Moines
the toilet overflowed.
This wasn't the adventure it sounds.
I sat with a man whose tattoos
weighed more than I did.
He played Hendrix on mouth guitar.
His Electric Ladyland lips
weren't fast enough
and if pitch and melody
are the rudiments of music,
this was just
memory, a body nostalgic
for the touch of adored sound.
Hope's a smaller thing on a bus.
You hope a forgotten smoke consorts
with lint in the pocket of last
resort to be upwind
of the human condition, that the baby
sleeps
and when this never happens,
that she cries
with the lullaby meter of the sea.
We were swallowed by rhythm.
The ultra blond
who removed her wig and applied
fresh loops of duct tape
to her skull,
her companion who held a mirror
and popped his dentures
in and out of place,
the boy who cut stuffing
from the seat where his mother
should have been—
there was a little more sleep
in our thoughts,
it was easier to yield.
To what, exactly—
the suspicion that what we watch
watches back,
cornfields that stare at our hands,
downtowns
that hold us in their windows
through the night?
Or faith, strange to feel
in that zoo of manners.
I had drool on my shirt and breath
of the undead, a guy
dropped empty Buds on the floor
like gravity was born
to provide this service,
we were white and black trash
who'd come
in an outhouse on wheels and still
some had grown—
in touching the spirited shirts
on clotheslines,
after watching a sky of starlings
flow like cursive
over wheat—back into creatures
capable of a wish.
As we entered Arizona
I thought I smelled the ocean,
liked the lie of this
and closed my eyes
as shadows
puppeted against my lids.
We brought our failures with us,
their taste, their smell.
But the kid
who threw up in the back
pushed to the window anyway,
opened it
and let the wind clean his face,
screamed something
I couldn't make out
but agreed with
in shape, a sound I recognized
as everything I'd come so far
to give away.
from: Insomnia Diary. Copyright 2004.
Tuesday, May 1, 2012
A Thought for May Day . . .
But did you know that:
1). This celebration of working-class solidarity originated in the US labor movement in the United States, and . . .
2). It soon spread around the world, but . . .
3). It never earned official recognition in this country.
However . . .

Since 2006, however, American unions and immigrant rights activists have resurrected May 1 as a day of protest.
Quote of the Day
Vera Rubin demonstrated the presence of dark matter while bearing 4 children, having been refused admission to Princeton because of her gender, and while guerilla fighting through the feminist movement of the 1960/70's in the US. She never mentioned the war on women, she just fought it every day and won.
Did Someone Say, "Shakespeare?"
HAMLET
- Spike Milligan
Said Hamlet to Ophelia,
'I'll do a sketch of thee,
What kind of pencil shall I use,
2B or not 2B?'
Also: I found Blogging Shakespeare while wandering around.
It doesn't appear to still be active but it is a
"different perspective," and funny.
ILLUSTRATION by:
Check him out!
Labels:
David Litchfield,
Hamlet,
Illustration,
Poetry,
Spike Milligan
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