Friday, May 11, 2012

You Begin



baby hand held in an adult hand against a black background
You begin this way:
this is your hand,
this is your eye,
that is a fish, blue and flat
on the paper, almost
the shape of an eye.
This is your mouth, this is an O
or a moon, whichever
you like. This is yellow.

Outside the window
is the rain, green
because it is summer, and beyond that
the trees and then the world,
which is round and has only 
the colors of these nine crayons.

This is the world, which is fuller
and more difficult to learn than I have said.
You are right to smudge it that way
with the red and then
the orange: the world burns.

Once you have learned these words
you will learn that there are more
words than you can ever learn.
The word hand floats above your hand
like a small cloud over a lake.
The word hand anchors
your hand to this table,
your hand is a warm stone
I hold between two words.

This is your hand, these are my hands, this is the world,
which is round but not flat and has more colors
than we can see.

It begins, it has an end,
this is what you will
come back to, this is your hand.

from: Selected Poems II: 1976-1986.


Thursday, May 10, 2012

Anne

by Gerður Kristný
Translation: Victoria Cribb

victorian woman writing
By day there’s not a peep
from Anne who lives
in widowhood overhead
– except when she dozes off
over her diary
drops it on the floor

Otherwise not a peep

It’s another matter at night
then there’s all hell of a hubbub
Anne’s friends pound up the stairs
hollering their hellos
and crack open a feast
Some with a bottle of buttermilk
others nursing eggs

Towards dawn the neighbours are fed up
of fiddles and folksongs
The guests depart in haste
melting into the walls

When the police force the door
Anne sits at the kitchen table
writing



from: Höggstaður. Copyright 2007.


Wednesday, May 9, 2012

Meet Chelsea Fairclough . . . Please


PaintAbility.org is the web site dedicated to Chelsea Fairclough and her very first art exhibition and fundraising event, entitled Paintability.

All of the paintings are produced by Chelsea using the wheels of her electric wheelchair, and the funds raised at the exhibition will support the Make a Wish Foundation in Singapore, and Chelsea’s immediate medical expenses and considerable on going care costs.

14 year old Chelsea is scheduled to have spinal fusion surgery to control the pronounced curvature of her spine and make it easier for her to sit in her wheelchair and have pain free days. The surgery is scheduled to take place during the summer 2012.

abstract painting done in oranges with a vertical streak of red in the middle

Where: ReDot Fine Art Gallery at Tanjong Pagar, Singapore (more)
When:  Thursday 10 May 2012 from 6pm
Ticket Cost:   S$25 per person or S$50 per family of four

If you are unable to attend, you can still make a donation.
(Information and link are on the site)

Long Distance II

   by Tony Harrison

Though my mother was already two years dead
Dad kept her slippers warming by the gas,
put hot water bottles her side of the bed
and still went to renew her transport pass.

You couldn't just drop in.  You had to phone.
He'd put you off an hour to give him time
to clear away her things and look alone
as though his still raw love were such a crime.

He couldn't risk my blight of disbelief
though sure that very soon he'd hear her key
scrape in the rusted lock and end his grief.
He knew she'd just popped out to get the tea.

I believe life ends with death, and that is all.small black book
You haven't both gone shopping; just the same,
in my new black leather phone book there's your name
and the disconnected number I still call.

from: Selected Poems. Copyright 1984.



Tuesday, May 8, 2012

A Little Help for the Heat


pile of six ice cubes



Hey You



Back when my head like an egg in a nest  
was vowel-keen and dawdling, I shed my slick beautiful 
and put it in a basket and laid it barefaced at the river 
among the taxing rocks. My beautiful was all hush 
and glitter. It was too moist to grasp. My beautiful 
had no tongue with which to lick—no discernable 
wallowing gnaw. It was really a breed of destruction 
like a nick in a knife. It was a notch in the works 
or a wound like a bell in a fat iron mess. My beautiful 
was a drink too sopping to haul up and swig!
Therefore with the trees watching and the beavers abiding 
I tossed my beautiful down at the waterway against 
the screwball rocks. Even then there was no hum.  
My beautiful was never ill-bred enough, no matter what 
you say. If you want my blue yes everlasting, try my 
she, instead. Try the why not of my low down, 
Sugar, my windswept and wrecked.


from: Live from the Homesick Jamboree. Copyright 2010. 




Monday, May 7, 2012

Monday. Yech.


cartoon mouse wearing pants and shoes lying in mouse trap




Slow Waltz Through Inflatable Landscape




At the time of his seeing a hole opened—a pocket opened—
and left a space. A string of numbers plummeted 
through it. They were cold numbers. 
They were pearls.

And though they were cold the light they cast was warm,
and though they were pearls he thought they were eyes.
They blinked. He blinked back.
Anything that blinks

must be friendly, he thought, until he saw the code
—a string of numbers—carved into their sides
and grew afraid. He tried to close
the space

but it was no longer his own. He tried to close his eyes
but they were no longer his. He tried to close 
his mouth, his hands, his ears
but they were no longer

his, were never his to begin with: this was the time of his seeing.
The world opened. A line began. A tree grew above him
and he thanked it. A sun dawned over the line
and he thanked it.

A building unfolded abruptly and blocked the sun
and he put his hand on its side and thanked it
for the shade, he put his hand
on the sidewalk

and gave thanks to the cement—it was cool and wet and 
took the shape of his hand into it—he put his eyes
at the feet of a woman
and she lifted them,

to her own, and he thanked her, from the inside, and she understood.
Wires swirled above him, straightened out along an avenue
and the lights came on. One moon rose.
A second moon

rose on the windshield of a car and he thanked them both.
This was the time of his seeing. This was the time.
An electric green beetle shuttled out
of the darkness

and landed on his forearm, pulsing, he didn't remove it.
It seemed relieved. Some things work very hard
to leave the ground. Somewhere an infant
called out, sharply,

was comforted into silence. The deep note of an owl opened a tunnel 
in the air. He was growing tired. He didn’t want to stop. 
The world opened. 
A line began.

It traveled out ahead of him and returned, tracing a wave,
white foam gathering, gathering the moonlight,
black water rising into a wall
and he held up his hand:

the wall froze, trembling, the head of a seal
poked through, looked around, withdrew,
he liked the way its whiskers
bent forward

as it withdrew and he liked the way his hand had stopped a wave
so he thanked his hand and moved on,
into the outskirts, the taste
of salt on his tongue,

the taste of brine, it made him thirsty although he had no thirst.
This was the time of his seeing. This was the time.
And the skeletal shadow of a radio tower
loomed to the right of him,

creaking, a red gleam, then nothing, he thought he heard music
passing through him and he was right: 
he was humming something
from a song, 

but he couldn't remember the words, which was fine, 
they were sentimental anyway so he 
thanked the radio tower
and kept moving,

the road turning to gravel, the gravel turning to dust,
the ditches sang with frogs, the ditches were silent,
a pair of yellow eyes waited for him
to pass and so he passed,

calmly, since the beetle was with him, trying to refold its wings,
and the tree was with him, unfolding its leaves,
and a man was with him, walking at his side
—he didn't need to ask

who he was, so he didn't, but in the corner of his eye
he caught a glimpse: he seemed familiar,
he looked like him
and he was,

although a string of numbers was carved into his side.
He asked if he could touch them and he said Yes,
touch them. They were cold numbers.
They were pearls.

He asked if he could kiss him and he said Yes, kiss me, and so he did.
It was a strange kiss. It was a beautiful kiss.
It seemed to last a long time.
It seemed to last a lifetime.

- Copyright 2005.